NO OTHER CHOICE***** - BFI London Film Festival 2025 - Day 9

Pantheon director Park Chan Wook returns to our screens with the darkest of black comedies and social satires. It’s hilarious and occasionally deeply moving and sends a dire warning to all of us wage-slaves. And all with his trademark audacious and assured visual and aural style. The film is the third that I have seen in as many days where a family patriarch is so ashamed at being unable to financially provide for his wife and kids that he turns to a life of crime. After the feckless and self-involved JB Mooney (Josh O’Connor) in THE MASTERMIND and the charming but rogueish Jeffrey Manchester (Channing Tatum) in ROOFMAN we now get Man Soo (Lee Byung-Hun) in NO OTHER CHOICE. After decades working in a paper factory, itself an obsolete industry, he is laid off by the new American owners who use the platitude that they had “no other choice”. A year later and his house is about to be foreclosed, his wife is supporting the family, and his daughter can’t have cello lessons. They’ve even had to give up the dogs! Every job opening has a bevy of over-qualified men applying. So Man-Soo grabs his father’s old service revolver and takes a KIND HEARTS AND CORONETS approach to his problems. 

There is nothing that I didn’t love about this film. Its 2hr20 min running time went by in a flash. I loved its clear-eyed, heartbreaking depiction of middle-aged men discarded by society and its dire warning of what a fully automated AI-powered factory would look like. I loved its clear depiction of the social pressures on men in a misogynistic patriarchal society, whether young or old. I loved all of the acting performances. Both Lee Byung-Hun (JOINT SECURITY AREA) and Son Ye-Jin as his wife are superb. But most of all this film works because of how Director Park handles comedy - especially absurdist physical comedy - and uses music. The first truly violent scene goes on forever and is set to overloud schmaltzy Korean pop music. It’s funny but it also tells us so much about the emotional psychodrama in the marriage it is depicting. This is cinema at its finest, its most complex, and its most entertaining.  

NO OTHER CHOICE has a running time of 139 minutes. It played Venice, Busan, Toronto and London. It does not yet have a commercial release date in the USA or UK but was released in South Korea in September.