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A MOST VIOLENT YEAR is a bad film that could've been iconic - a movie so steeped in cinema heritage that it slides into pastiche - a movie that reaches for greatness but trips over its own shoelaces in a final act that had the audience laughing at it rather than being awed by it.
All of which is a great shame because the writer-director of the film, J C Chandor, is a great director. His film MARGIN CALL remains the most powerful and understated examination of how Wall Street really works that I've ever seen. ALL IS LOST pitted Robert Redford against the elements and in doing so created something like a profound exploration of character and worth. These films had a style and a set of concerns that were new and unique to J C Chandor. They felt authentic and urgent. By contrast, A MOST VIOLENT YEAR seems like a slow and lingering meditation on an earlier time, both in New York history and in cinema history.