Showing posts with label gil birmingham. Show all posts
Showing posts with label gil birmingham. Show all posts

Friday, February 21, 2014

HOUSE OF CARDS - Season Two - Chapter Twenty Four

PLOT SUMMARY: Vice President Frank Underwood (Kevin Spacey) testifies in front of Special Prosecutor Heather Dunbar (Elizabeth Marvel) as to how far he knew foreign money laundering into PACs.  At first he denies everything, but then Frank tells President Walker (Michael Gill) that he's going to go public on the back-channelling. This alarms the president because that's an impeachable offence. Doug Stamper (Michael Kelly) says he acted without the Vice President or President's knowledge but Underwood takes responsibility for his actions anyway.

Meanwhile, the Japan-China dispute escalates with the USA's Samarium stockpile down to two months. Daniel Lanagan (Gil Birmingham) complains to Remy Danton (Mahershala Ali) that he's already been offered a plea if he testifies against Ray Tusk but Remy tries to persuade him not to take it.  Remy investigates Jackie Sharp (Molly Parker) on the pretense that his lobbying firm might be about to hire her, and shady PR man Seth Grayson (Derek Cecil) is in cahoots with Stamper.  Claire Underwood (Robin Wright) dodges an investigation by journalists, and she pressures Megan Hennessy (Libby Woodbrige) to speak out to support her floundering Bill.  Finally, investigative journalist Ayla Sayyad (Mozhan Marno)  links President Walker to the money laundering. 

On the personal front, Doug Stamper attends a recovery meeting and Frank becomes suspicious, but remains supportive, just. He then voyeuristically catches Rachel Posner (Rachel Brosnahan) and Lisa Williams (Kate Lyn Sheil) having sex.  And Claire's bodyguard Edward Meechum (Nathan Darrow) instigates a threesome with Frank and Claire. 

COMMENTS:  A holding episode where political relationships realign for the final stretch and the structure of the house of cards becomes evident.  I find the relationship between Stamper and Frank touching, though, and along with his genuine love for Claire, this has been the real game-changer this season in softening Frank, or at least making him feel less like a robo-political-operative. The only other thing of note is that I really now want to see what Grayson is up to. He's proving to be a far more charismatic character than Remy Danton. With the personal storylines,  I certainly didn't see the threesome coming, and I guess that provides some shock value, but it seems to be there more for titillation than anything else. 

Wednesday, February 19, 2014

HOUSE OF CARDS - Season Two - Chapter Twenty (spoilers)


PLOT SUMMARY: As the mid-terms approach attack ads sponsored by a PAC are skewering President Walker (Michael Gill) and his Cabinet. Frank discovers they are being funded by Ray Tusk (Peter Bradbury) via Native American casino owner Daniel Lanagan (Gil Birmingham). Frank realises that Tusk was bankrolling the majority in Congress all along, using Lanagan as a front, but can't tell the President for fear of looking incompetent. Stamper stakes out Lanagan's casino and hooks up with a recovering addict waitress. He finds a large group of rich Chinese gambling there and follows the trail to uncover Tusk's massive investments in rare earth metals in China. Stamper negotiates with Xander Feng (Terry Chen) to double-cross Tusk and fund the Democrats instead of the Republicans. Back in Washington, Frank attempts to buy-off Lanagan, but he says Tusk can offer more, causing Frank to really lose his temper.

Frank makes nice with the President, and the two couples have dinner with each other.  Claire Underwood's legislation is going to Congress sparking an argument over media strategy between Seth Grayson (Derek Cecil) and Connor Ellis (Sam Page). We realise that Seth is working with Remy when he asks for Connor to be lured away with a lucrative private sector job.  But even more tantalising, Seth gives Remy up to Frank and offers to become a double-agent getting back via Remy to Tusk.

Meanwhile lobbyist Remy Danton (Mahershala Ali) and Majority Whip Jackie Sharp (Molly Parker) continue to sleep with each other and we discover that she is stalling in finding co-sponsors for Claire's bill because she apparently does not want a media storm before the mid-terms. 

Claire's plan to set Mrs Walker against presidential aide and Peter Russo's ex-lover Christina has worked: the First Lady voices her suspicions and demands for her to be relocated but the President refuses. At dinner, the two couples eat ribs from the rib shack owned by Freddy Armstrong (Reg E Cathey), where Frank likes to eat. He was interviewed by the press earlier in the day and is now being offered lucrative deals to put his name on barbecue sauce. 

COMMENTS: Ok so now we're truly enmeshed in the high political arts and I love it!  Frank realises that Ray has created the majority he whipped, and in that momentary aside to camera, I feel there's almost a newfound respect!  I love the double-dealing with Feng and the way in which Frank elegantly handles the President.  I also like the sidebar that Remy and Seth are in cahoots  - and it makes me suspect his relationship with Jackie. And also, what really WAS up with that tattoo.  Now, is it plausible that Seth would give up Remy so easily?  So is this an attempted double-cross?  Remy is working for Tusk and so has an unlimited bankroll.  Should we truly believe that Seth really wants power instead? And is Frank that credulous?  Finally, I love the delicious irony of Frank telling the President that he's 'never going to survive his first term' if he doesn't relax!

Stylistically as we reach half way in the season, I have three things to see. One, I need more of Frank talking and reacting to camera - it plays to all of Kevin Spacey's strength.  Two, what's with the under-exposed broodingly unlit photography?  It's like Godfather II in here.  I know you're going for mood and moral obscurity but this is ridiculous. Third, cheaply ripping off the BBC TV series Sherlock's device of showing text messages as bubbles doesn't suit the elegant adult look of the show.