THE WILD ROBOT***** - BFI London Film Festival 2024 - Day 5

THE WILD ROBOT is an utterly delightful film - visually stunning, occasionally funny, and deeply moving.  I haven't felt this invested in an animated film - or this awed by the visuals - in quite some time. Kudos to director Chris Sanders (LILO & STITCH): may this film earn him his well-deserved Oscar. 

The movie is based on a series of books by Peter Brown and tells the story of a robot called Roz (Lupita Nyongo) who learns to escape her programming and feel love.  In her crash landing and frenetic first day on the island Roz killed a gosling's family and becomes his adoptive mother. She assigns herself the task of raising him to eat, swim, and fly the winter migration.  But the cute little gosling, Brightbill (Kit Connor), imprints himself on her and soon she is just another harassed, confused and loving mother to her adoptive son.  

Roz is helped in raising Brightbill by a wily but ultimately warm-hearted Fox called Fink (Pedro Pascal). But the other animals on the island look on in bewilderment and mockery. They are scared of the "monster" robot and of her predatory fox friend. And let's be clear: there's no LION KING style gentle allusion to death in this film - it is faced head on and suffuses every scene. These are animals whose fear is necessary to survival. But Roz teaches them that kindness is also an option, and that together they can survive a harsh winter.

The resulting film is one of carefully calibrated peril but also deep warmth and heart.  This is nowhere better exemplified in the character of Longbill (Bill Nighy), a wise, kind old goose who will lead the winter migration. We have never heard Nighy so warm and encouraging.  But all the voice cast are superb. Nyongo moves from a Siri-esque relentless optimism to something more real and modulated. Connor is just adorable as Brightbill. And Pascal is both funny and deeply vulnerable as Fink.

And last but assuredly not least, this movie looks stunning.  The rendering of the animals, the wilderness, and the night scenes in particular, was a feast for the imagination.  I felt utterly immersed in, and delighted by, the world. This movie is truly something special and I highly recommend it.

THE WILD ROBOT is rated PG and has a running time of 101 minutes. It played Toronto and London 2024 and was released in the USA last month. It will be released in the UK on October 18th.

MOON - the first sci-fi flick to make it to my Best Of list

MOON is the assured debut feature from writer-director Duncan Jones, featuring a stand-out performance from Sam Rockwell as an astronaut suffering from acute loneliness.

Jones wastes no time in establishing the conceit with a pitch-perfect faux-TV-spot. In some indeterminate future, Earth has solved all its energy problems by mining Helium-3 from the dark side of the moon. The operation is mostly automated, but there's a poor schmuck overseer on a three-year contract (Rockwell). In the final weeks before returning to his wife and daughter he suffers an accident and starts, apparently, hallucinating an alternative, clean-cut super-functional Sam. Is his sub-conscious creating a play-mate? Or is their something more sinister afoot?

Showing just how much you can do with a limited budget and some miniature models, Jones perfectly evokes the shabby-futuristic lunar base, complete with HAL-like omniscient robot Gerty (voiced by Kevin Spacey). I particularly liked the naff touch of having him show emotions through emoticons! But this is truly Rockwell's movie, with assured performances in two very different characters - Sam at the start of the mission - a neat, ambitious, temperamental man: and Sam at the end of the mission - mellowed, messy, apathetic. And while this is, basically, a serious, ideas-based movie, there are moments of humour, or perhaps better put, weirdness, as the two characters face off over a ping-pong table on the road to friendship. The real trick is that by the end of the film, I felt completely emotionally invested in the fate of Sam Bell, and was on the edge of my seat for the final twenty minutes.

I am not a big sci-fi fan, and I can imagine some purists getting cheesed off at the lack of zero-gravity and whatnot. But I think you can take a more high-level view that this movie is sci-fi at its purest. Rather than getting bogged down in super-impressive CGI shots and action sequences, you have sci-fi as it was meant to be - exploring ideas. You also get a film that is steeped in the sci-fi classics and has subtle nods to them while also creating something new and interesting. I can't wait to see what Jones does next, and I'm hoping that the movie's indie status and limited release doesn't bar Rockwell from some acting gongs.

MOON played Sundance, Tribeca and Edinburgh 2009. It opened earlier this summer in the US and Canada. It is currently on release in the UK. It opens in Russia on September 17th; in Australia on October 8th; in the Netherlands on October 15th and in Spain on October 23rd.