Showing posts with label robert muratore. Show all posts
Showing posts with label robert muratore. Show all posts

Friday, August 09, 2013

WHEN THE DRAGON SWALLOWED THE SUN


In addition to reading the review below, you can listen to a podcast review of this film or subscribe to Bina007 Movie Reviews in iTunes.



Dirk Simon's documentary on the political conflict between Tibet and China originally played the festival circuit in 2010.  Since then, it's IMDB page has been blocked in China, and it is only now getting a theatrical release in the UK.  The way it plays is as a straightforward agit-doc, unashamedly presenting the cause of the victimised invaded Tibet, with its fragile culture deliberately and methodically stamped out by the Chinese. I have been quite scornful of this kind of film in the past. I always wonder whether anyone who wasn't always convinced of the case would choose to see a film on that subject.  But this documentary is different.  In this case, I feel that even those of us in the west who have a sort of kneejerk response to support Tibet in some vague manner, are getting an education into what's really going on with that cause. Moreover, given the length of time the film took to assemble, its patient interviews with many Tibetans inside the cause, we get insight that is not readily available elsewhere.

The documentary has three key messages for us.  The first is the most obvious: Tibet was an independent country in 1912, and was invaded by the Chinese in 1950.  It is entitled to its independence.

The second key message is that Tibet is almost uniquely ill-equipped to fight for that independence. It has a deeply entrenched state religion that is committed to peace - so much so that the Dalai Lama called the resistance fight to a halt.  It also has a still respected aristocracy whose scion is now a young teenager with little guidance, much doubt and great expectations of him.  There is a powerful scene where the boy goes to the state oracle for advise and is given the banal instruction to follow the Dalai Lama, who has himself just admitted that the fight for independence has failed, the compromise fight for autonomy has failed, and now he looks to his people for answers, just as they look to him.  Therein lies the contradiction of the Tibetan struggle.  They are fighting for modern liberal values from the starting position of a feudal, hierarchical, religious monarchy and the very power structures they seek to preserve as their culture are holding them back from protecting it.

The third key message is that China is not going to negotiate and the West is not going to intervene.  Just as in 1950, when the West cosied up to Mao hoping to provoke a Sino-Soviet split, today the West needs Chinese trade.  And as for China, she is playing a patient waiting game, for the Dalai Lama to die - and for all the resettled Han Chinese to dominate and dilute the Tibetan culture.

The overwhelming feeling at the end of this sometimes frustratingly edited and arguably overlong documentary is one of having been given valuable insight but also a sense of hopelessness.   There is a young Tibetan girl who is reduced to tears asking the interviewer what they should do.  Former resistance fighters want a campaign of civil disobedience at the cost of lives. The Dalai Lama feels that would be hopeless against the massive Chinese numbers.  Both sides are right.  And our minds are cast back to the opening scenes of the doc - where Richard Gere and Archbishop Desmond Tutu speak at a rally - and it all seems rather futile.  One wonders then, whether this documentary is also futile. Educating ourselves about the struggle that we know is likely to fail. It is depressing and yet utterly morally necessary.

WHEN THE DRAGON SWALLOWED THE SUN has a running time of 115 minutes and is rated 15 for the real images of tortured Tibetans.  The film will be released in the UK on August 16th.

Saturday, April 14, 2012

iPad Round-Up 3 - THE PEOPLE VS GEORGE LUCAS

THE PEOPLE VS GEORGE LUCAS plays like a slick version of a YouTube fan doc. Alexandre O Philippe basically interviews a bunch of Star Wars fans and gives them a kind of group therapy space to discuss their love of the original trilogy and their sense of betrayal both at the changes that George Lucas has made to it, and to the travesty of the prequels. For me, this was a movie that perfectly articulated my own love-hate relationship with Lucas and made me feel less alone in my frustration.  

Along the way it explores interesting issues. The first is the tragic figure of Lucas - a man trapped in a prison of his own making.  The irony of the indie film-maker who has himself become the guardian of a capitalist franchise.  Francis Ford Coppola is particularly articulate on the idea that George Lucas never made the brilliant artistic films he could've done because he was trapped by the Star Wars monster. The second is the nature of "art"  and who owns it. 

The second big issue is whether the fans right to feel that because they have invested so much into the original trilogy, that Lucas is obliged to respect their feelings and not make any changes? Or is Lucas, as owner of the film rights, perfectly at liberty to do as he pleases?  Indeed, in an age of the internet, when geeks can come together in real time, creating a hysterical response to a cultural work, critiquing every line, are we just setting ourselves up for a fall? I can see this on the current fan forums for George R R Martin's A Song of Ice and Fire.  The hype is so great, any new novel is almost guaranteed to be a disappointment. And the emotional investment is so great, even the slightest change in the HBO TV show causes outrage. 

And what about all the collaborators who worked on those original films? Do the special effects guys whose effects have now been replaced with CGI been robbed of their contribution?  In other words, how far is the director really the auteur who can play God with a collaborative art-form?  Lucas clearly things he is God, the Creator, with the right to do as he pleases.  But have generations of film critics created a false perception of just how important the director truly is?  Is the director as deluded as the fans?

THE PEOPLE VS GEORGE LUCAS is thought-provoking, entertaining, and gives you a great sense of camaraderie.  It's well worth a watch, even if you're not a Star Wars fan, because it describes so clearly modern fan culture.  

And for the record, HAN SHOT FIRST!

THE PEOPLE VS GEORGE LUCAS played SXSW 2010 and was released in 2011 in the USA and on YouTube.  It is available to rent and own.