Friday, October 04, 2024

JOKER: FOLIE A DEUX**


Writer-director Todd Phillips has created a deeply odd, turgid and ultimately frustrating sequel in JOKER: FOLIE A DEUX.  Once again, it stars an emaciated and gurning Joaquin Phoenix as a homicidal incel called Arthur Fleck. In the first film he went on a killing spree including shooting a talk show host on live TV, much to the joy of the disaffected both within the film and apparently in real life too.  In this sequel, Arthur is standing trial. His defence attorney (Catherine Keener) argues that his is suffering from schizophrenia - that Joker not Arthur committed the murders - and that Arthur needs medical help.  Problem is, the trial is being sabotaged by Joker's newfound love interest, who very much loves him for his chaotic, violent avatar rather than the traumatised man underneath.  That's basically it as far as plot goes. Even moreso than the original, this is a claustrophobic, slow-moving walk through Arthur's psyche, often-filmed in slow-motion too.  Worse still, where we might have had dialogue or action in the first film, this is replaced by breathy, slowed-down, depressing versions of classic show-tune love songs.  It's not that they're badly put together. It must take a lot of effort on Lady Gaga's part to sing like a normie.  And the orchestration is really great. But ten songs later I found myself - like Arthur - begging Lady Gaga to stop singing and actually talk.

What's really wild about this film is that Todd Phillips seems to have taken all the hysterical criticism of the original film to heart.  It's as if he has made this film for an entirely different audience - people who hated its prequel. At some point around two thirds of the way through the trial something happens that seems to shock Arthur into disavowing his Joker persona.  Even worse, it's not the thing that would more logically explain it - the powerful and moving evidence given by Gary Puddles. (Note that while critics will focus on Phoenix and Gaga, it's Leigh Gill as Puddles who gives the most affecting performance of the film.)  Rather, Arthur seems to be motivated by a far smaller incident in jail. Anyways, whatever the motivation, with this character shift Todd Phillips basically seems to be saying to his audience, shame on you for enjoying the first film like all those dumbass characters inspired by JOKER, and here's a dull overlong musical as your penance!

Still, there are flashes of brilliance in this film. An overhead shot that references THE UMBRELLAS OF CHERBOURG. Lady Gaga drawing a lipstick smile on prison glass, and Arthur coming into focus behind it and smiling as Joker. In a sense, she is the more interesting, or scary, or psychotic of the two characters. Or maybe she's just another fangirl? Sadly she's too underwritten to know.  I liked the subtle, out of focus way we see another Joker emerge at the end of the film, and the nod to Harvey Dent's disfigurement. I rather liked the Steve Coogan cameo as a TV interviewer. And I liked having two Industry alum in the cast.  But ye gods, this is a long long film for precious little entertainment.

JOKER: FOLIE A DEUX has a running time of 138 minutes and is rated R. It is on global release.

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