Showing posts with label amy landecker. Show all posts
Showing posts with label amy landecker. Show all posts

Sunday, October 09, 2022

I LOVE MY DAD - BFI London Film Festival 2022 - Day 4


I LOVE MY DAD is an absolutely cracking dark-comedy directed with a deft hand by writer-actor-director James Morosini. It is based on his father's real life attempt to reconnect with him by catfishing him on Facebook.  In this fictionalised version Morosini plays Franklin as a shy, fragile but warm-hearted twenty-something who has just emerged from recovery after a suicide attempt and has blocked his flaky, serial liar father from his social media. So his dad, Chuck (Patton Oswalt) creates a Facebook account in the shape of Becca - a waitress he happend to meet at a diner - and befriends his own son, using the avatar to plea the case of his dad just trying his best and worthy of a second chance. The problem is that Franklin falls for Becca, and Chuck is unwilling to "dump" him because it's the one way he can actually talk to his son.    

Morosini has a deft hand and cleverly decides to intersperse Chuck with Becca in frame with Franklin for maximum cringe. A four-way sexting chat where Chuck is using dialogue his actual girlfriend is sending him to turn on his own son in the guise of Becca is truly the most appalling, hilarious watch I've had all year. But the real skill in this film is keeping Chuck sympathetic even when he's doing terrible things. Thanks to Oswalt's natural amiability we always root for him, and believe he's genuinely trying to be a good dad. I was surprised at just how involved I was with both father and son, and how much I wanted their relationship to work. The final scene is a stunning payoff, and genuinely moving. This film really is a hidden gem.

I LOVE MY DAD is rated R and has a running time of 96 minutes. It played SXSW where it won the audience award. It was released in the USA on the internet in August. 

Thursday, June 01, 2017

BEATRIZ AT DINNER


Directer Miguel Arteta and writer Mike White follow their collaboration on THE GOOD GIRL with this hamfisted painfully earnest take on the class divide in contemporary America.  Salma Hayek plays Beatriz, a massage therapist and earnest do-gooder who treats both suffering cancer patients and rich capitalist bastards.  As the film opens, there's a chance it might be a comedy.  Beatriz is quirky!  She keeps goats in her house and has a habit of saying socially inappropriate things and invading people's space.  But that isn't what this film is.  When Beatriz' car breaks down at a client's (Connie Britton - NASHVILLE) house in Newport Beach, that client invites her to stay for dinner - a small celebration of future profits on a real estate development.  The rich guests (Chloe Sevigny, Jay Duplass) proceed to ignore Beatriz, then assume she's the help, then ignore her disquiet at their development.  But when the richest and most evil of the men (John Lithgow) reveals he also hunts rhinos, Beatriz really loses it.

The problem I have with this film is that it isn't a biting political satire or a nuanced portrait of class or race relations. Rather it's a pantomime filled with caricatures.  The bad guys here are truly bad.  The airhead dippy wives are just that.  And Beatriz is ultimately a Christlike martyr of zero flaws and faults. This makes for dull, dumb, simplistic storytelling.  The audience deserves far more.

AT DINNER has a running time of 83 minutes and is rated R. The movie played Sundance 2017 and opens in the USA on June 9th.