Showing posts with label diego luna. Show all posts
Showing posts with label diego luna. Show all posts

Sunday, October 21, 2018

IF BEALE STREET COULD TALK - BFI London Film Festival - Day Eleven



IF BEALE STREET COULD TALK is a film that is over-long, and compounds the faults of the source novel with many of its own. I simply cannot understand the critical acclaim for a film in which the central characters are ciphers, and do not grow, and the tough questions around the plot are stubbornly left unaddressed. 

The film is based on the novel by James Baldwin, and is set in a racially divided New York of the 1960s and early 1970s.  It's told as a single flow of narrative with many flashbacks by Tish - a 19 year old girl of almost supernatural innocence and goodness.  Her beloved Fonny has been arrested on a trumped up rape charge, leaving a pregnant Tish in the care of her far feistier and more interesting family.  Her father and putative father in law commit theft to fund Fonny's defense.  Her mother at one point goes to Puerto Rico to harass the rape victim into dropping the charge. But as the book ends the outcome of all this is dark and ambiguous although Baldwin seems to want to leave us with an impression of hope in Tish's continued optimism. I always found this wilfully obtuse - read why for spoilers underneath the release information below.

Thursday, February 02, 2012

CONTRABAND

CONTRABAND is about as perfect as a caper movie gets - fast, fun, thrilling, intelligent.  To be sure, it's basic plot components are pretty conventional, but it has a tricksy enough story, and enough good humour to be the perfect Friday night-forget work-have some fun movie!

Mark Wahlberg plays a former smuggler turned straight, drawn back into "one last job" to save his idiot brother-in-law from the local drug dealer (a typically over-the-top Giovanni Ribisi).  He assembles a crew that's going to smuggle in forged currency from Panama in J K Simmons freighter. Of course, "one last job" movies are never simple.  And this one involves a double-cross back home; getting caught up in a Panamian armed robbery; an art heist; and a superbly choreographed fit-up job.  A few plot twists are predictable but there are enough genuine surprises, and I love that no plot thread is left untied.

The movie is directed by the Icelandic actor-writer-producer-director Baltasar Kormakur (JAR CITY) who wrote and starred in the original.  Together with DP Barry Ackroyd (GREEN ZONE) he directs the movie with real style and pace, and a surprisingly light touch!  There are many scenes and lines where it's clear that the smugglers are having a great time, despite or even because of the high stakes - more young kids up to some japes than Michael-Mann style existential angst.  I also really liked the casting (ex Ribisi) - being particularly impressed by Kate Beckinsale, of all people!, actually doing some proper acting as Wahlberg's wife. 

Flicking through the IMDB review page it becomes clear that CONTRABAND has taken a bad rap for being too genre-cliche-ridden.  Whatever. I had a bunch of fun watching it, and it's in my Best Of list for the year. Not every film has to be a heart-wrenching, life-changing Iranian art-house flick. There will always be room on this blog for good honest popcorn entertainment.

CONTRABAND is on release in the USA, Kazakhstan, Russia, Singapore, Bulgaria, Canada, Pakistan, Israel, Kuwait, Estonia, Iceland, Romania, the Philippines, India, Syria and Poland. It goes on release in Hong Kong on February 9th; in Australia and New Zealand on February 23rd; in Portugal on March 1st; in the Netherlands on March 8th and in Germany, Finland, Ireland, Norway, Spain, Turkey and the UK on March 16th. It opens on March 22nd in Belgium, Denmark and Hungary; on April 19th in Argentina; on April 27th in Brazil and Lithuania; on May 4th in Sweden and on May 16th in France and Italy.

Monday, July 06, 2009

RUDO Y CURSI - funny Mexican fable

RUDO Y CURSI is a tongue in cheek Mexican fable about being careful what you wish for and love-hate sibling relationships. Rudo (Rough) and Cursi (both "smooth" and "camp") and two step-brothers living in poverty in rural Mexico. Both have ludicrous dreams of escape - Rudo has his gambling "system" and Cursi wants to go to America and become a pop star. When fortune favours them in the form of a travelling football scout, their key mistake is their refusal to forget their childhood dreams and just be thankful for what they have.

The resulting film is very funny - physical humour, obscene jokes, and a warm-hearted mockery of village life and the naivety of poor kids who see a jacuzzi for the first time. When Rudi becomes a big-time goal-keeper he gets a hair-quiff and ray-bans; Cursi gets vulgar blonde highlights and a gold-digging girlfriend. Both make themselves ridiculous. Writer-director Carlos Cuaron has a better sense of the absurd than his brother Alfonso and has made a more playful, if more disposable, movie. I love the way he uses colour and language and frames his shots. A particularly clever device is not to actually show any soccer footage early on in the film but to show reaction shots to Cursi scoring goals.

Put simply, I had a great time watching this flick and I can't wait to see what Carlos Cuaron does next.

RUDO Y CURSI was released in Mexico last year and in Argentina, Chile, Peru, Spain, Uruguay, Panama, the USA, Canada and Israel earlier this year. It is currently on release in Portugal and the UK. It opens in a fortnight in the Netherlands. It opens in Belgium on September 30th.