Showing posts with label joe stillman. Show all posts
Showing posts with label joe stillman. Show all posts

Wednesday, June 29, 2011

iPad Round-Up 2 - GULLIVER'S TRAVELS


When I was a pre-teen and we all obsessively watched the lo-rent sci-fi TV comedy, RED DWARF, the phrase "almost Swiftian in its rapier-like subtlety" became a standard term of praise, long before we'd read Swift in class and fully appreciated the radical, deliriously scabrous nature of his political satire. That was back in the day when schools taught children useful shit like calculus and Latin.  Nowadays, family audiences have no use for political satire - although one might have thought that in the post global financial crisis world - with governments insolvent and political systems ossified by special interests - now would be EXACTLY the time for it.  And so, dear reader, we get the movies we deserve. Towit, Rob Letterman's utterly banal children's movie, GULLIVER'S TRAVELS - a film based on Swift only insofar as it incorporates a man who wakes up in a land filled with tiny little people called Liliputians.

So, Swift aside, how does it fare as simple family entertainment? Shockingly poor.  A mindlessly simple plot, piss-poor CGI effects, hammy acting from the largely British cast of character actors, and Jack Black playing the character he always plays - the childish, rock-obsessed but ultimately love-able frump. Director Rob Letterman and writer Joe Stillman display none of the wit or imagination seen in MONSTERS VS. ALIENS or SHREK. Must try harder.

GULLIVER'S TRAVELS was released over the 2010/2011 holiday season. It is now available to rent and own.

Thursday, December 24, 2009

PLANET 51 - harmless, disposable fun

PLANET 51 is the Meg Ryan of kids animation. It's not flashy, ground-breaking or breath-taking. Rather, it's harmless, banal, and mildy amusing in parts. As Christmas entertainment for bored kids, you could fare worse, but this is no TOY STORY.


The concept is clever. Instead of aliens invading earth, with all the predictable genre-defining consequences, earthlings invade an alien planet. Or rather, a narcissistic astronaut (voiced by Dwayne "The Rock" Johnson) lands on a planet of little green men and women. The kicker is that the aliens are just as versed in pop culture and B-movies, and are just as petrified of the "alien" as we would be. In fact, one of the most memorable and endearing things about this film is the beautiful and witty translation of the look of late 1950s/early 1960s small-town America to the alien planet.

Unfortunately, the story doesn't really live up to the concept, because there really isn't one. The astronaut lands, gets separated from his ship, hides out with our alien teen hero (Justin Long) and then tries to get back to his ship. On the way, his robot (a dead ringer for Wall-E) tries to hook up with him and his alien helper tries to hook up with a hot alien chick (Jessica Biel). The problem is that the guy we're meant to empathise with as our hero is pretty whiny and dull, and the other person we might empathise with, the astronaut, is an insufferable bore. It's never good when the little robot has more personality than the hero. (As a sidenote, I also don't get why Dwayne Johnson couldn't have voiced a coloured astronaut?)

So, where does that leave us? PLANET 51 works well as a namecheck of alien invasion classics, and adults will get a certain kick out of that. There's probably enough slapstick humour, not to mention the cute robot, and that'll keep the kids happy. Happy, but in a sort of disposable, single-serving way.

PLANET 51 was released in November in the US, Malaysia, Peru, Russia, Ukraine, Canada, Italy, Argentina, Georgia, Greece, Kazakhstan, Brazil, Cyprus, Mexico and Spain. It opened earlier in December in the Philippines, Germany, Kuwait, Portugal, Iceland, the UK, Australia, Israel, New Zealand, Singapore, Bulgaria, Panama and Venezuela. It opens tomorrow in Turkey and on December 31st in Slovenia. It opens in Finland on January 1st, in the Czech Republic, Slovakia and Sweden on January 14th. It opens in France on February 3rd and in Belgium and the Netherlands on February 10th.