HORIZON: AN AMERICAN SAGA - CHAPTER 1***

I was surprised to find myself rather enjoying the first instalment of Kevin Costner's Horizon saga.  It came to our screens freighted with controversy.  Costner had apparently bilked out of the wildly popular Yellowstone TV show to make his passion project, enduring a messy divorce in the process.  Much like Frances Ford Coppola's MEGALOPOLIS, early feedback was that HORIZON was a bloated, boring, self-indulgent, intentionally regressive film.

To speak to the latter accusation, this film is indeed wilfully old-fashioned but in a way that I appreciate. It's a good old-fashioned Western where men are men (good or evil) and women are either loving home-makers or hookers with a heart of gold. This film is not interested in character nuance.  But it's not entirely without modern concerns: note that whether men are good or evil comes down to whether they have an accommodative or antagonistic attitude toward Native Americans.  And while there's probably a PHD to be written on how these issues are dealt with in Yellowstone and Horizon, I think Costner has probably benefited from exposure to the former. 

The problem with the film isn't so much its political attitude as its format. This isn't a film with a beginning middle and end so much as a three hour prequel that establishes character. Heck, the real baddie doesn't even show up except in a final montage sequence setting up the second instalment. All of which makes me believe that this multi-film cinema project would have played far better as a TV miniseries where a patient three-episode build-up would have been better tolerated. Instead, what Costner got was a box office failure that has condemned the second film to a streaming roll-out anyway.

And what of this instalment?  I very much liked Sienna Miller as the earnest widowed housewife who begins a romance with Sam Worthington's equally earnest military man.  That's strand one of the film, and the closest set of characters to the newly established town of Horizon. In the film's second strand Kevin Costner is in Montana, hooking up with Abbey Miller implausibly bleach blonde sex worker.  It was nice to see Jena Malone back on screen in this strand. In the final strand, it was also lovely to see Luke Wilson back on screen as the leader of a wagon train, also making its way to Horizon. In all three segments, the cinematography was lovely. I will indeed watch the sequel.There is an honest joy in seeing the landscapes of the Wild West so lovingly portrayed on screen.

HORIZON: AN AMERICAN SAGA - CHAPTER 1 is rated R, has a running time of 181 minutes, and is available to rent and own.

MOLLY'S GAME

Molly Bloom is a real life criminal who ran an illegal high stakes poker game in Hollywood and then New York. She raked the game, laundered money for the Russian mob, and if not illegally then unethically, exploited men with a gambling addiction to enrich herself. Eventually she was caught up in a Federal investigation into the mob and without spoiling the ending, this film sees her battling those charges while recounting her history.  

Bloom is played by a characteristically high class Jessica Chastain, more or less reprising her role in the superb MISS SLOANE. Her Bloom is smart, no-nonsense, and unsympathetic - a woman whose profession is clearly both illegal and unethical - and the game is to guess whether underneath all that selfishness they're a moral compass. Bloom's lawyer, played by Idris Elba, and the director/writer Aaron Sorkin, are convinced.  They give us a film in which Bloom is portrayed as a heroine who refused to sell out her players and ruin their lives by giving the Feds her records. This might be more convincing if played with some nuance - if we didn't have bombastic TWELVE ANGRY MEN speeches from Elba - and if it didn't contradict everything we see of Molly in the film. Yes, she might offer to get a player help with his addiction, but only after she's soaked him for days on end.  Sorkin shows us someone who is a predator on the weak - but he tells us that after all, she really cares about their families. We're also asked to believe that Bloom, as smart as she is, as rapier-fast and witty as her Sorkin dialogue is, didn't realise that when Russian mafiosi turned up with cash in satchels that they weren't money laundering - that she wasn't aiding and abetting pretty nasty crimes from happening. Sorry I'm just not buying it.  The other thing that jarred was Sorkin's trademark mansplaining. We get both the lawyer character and Bloom's father (Kevin Costner) try to explain to her and us why she did what she did. There Sorkin goes again - setting up a smart female character only to cut her off at the knees.

Thus, for all the brilliant acting and snappy dialogue, I just couldn't get into a film whose central character premise I didn't buy in to. I just didn't believe in Sorkin's version of Molly.  And that made the film a long - too long - dull slog through the legal machinations, and an ending that felt unearned. If you want to see Chastain playing a strong female character who actually owns her fate, doesn't need men to explain it to her, in a tightly paced, beautifully photographed movie, check out MISS SLOANE instead. 

MOLLY'S GAME has a running time of 140 minutes and is rated R. In the UK it is rated 15 for strong language, drug misuse and brief violence.

The film played Toronto 2016 and was released last year in Croatia, the Netherlands and the USA. It opened earlier this year in the UK, Ireland, France, Argentina, Greece, Hungary, Kuwait, Portugal, Singapore, Lithuania, Poland, Romania and the USA. It opens on January 11th in Russia, on Jan 19th in Sweden, on Jan 25th in Australia, on Jan 26th in Finland, on Jan 27th in Mexico, on Feb 2nd in Taiwan, on Feb 22nd in Brazil, Denmark, Thailand and Norway, on March 1st in Hong Kong and on March 8th in Germany.

SWING VOTE - actually rather enjoyable!

I went to see SWING VOTE because my mum loves Kevin Costner and I love my mum. That age discrepancy leads you to the first stumbling block in the movie: how plausible is it that someone of Kevin Costner's age would have a 12 year old daughter? How much more fun would this movie have been if it had, for instance, starred Sam Rockwell? But this is the least of the film's problems in terms of willing suspension of disbelief: the conceit of SWING VOTE is that the whole US Presidential election is so finely balanced that it comes down to the vote of a single man and that, thanks to a malfunctioning electronic voting terminal, each party has ten days to win him over to their cause.

Despite these seemingly insurmountable odds, SWING VOTE made a really good attempt to make the electoral conceit seem believable, and the whole movie is so much fun that I simply went with it. Like a moody independent, I was won over by its earnest good intentions, its sheer audacity, and the fact that Kevin Costner and Madeline Carroll pull-off the central emotional relationship at the heart of the film. Kevin Costner absolutely surprised me with his humanity and ability to pull off physical comedy. He makes Bud Connell an everyman in the mould of Homer Simpson. Yes, he's a shirker, yes, he drinks too much beer, but at heart he wants to do right by his family and he's got a lot of common sense. Madeline Carroll is also really great as his daughter Molly. She plays one of those over-responsible kids of divorce, effectively parenting her own father. But she also acts like a kid and doesn't have the preternatural air of grim adulthood that I sometimes detect in Dakota Fanning.

Admittedly, this movie pulls its punches when it comes to satirising the political system. Kelsey Grammer plays a W-lite dumb Republican President and Dennis Hopper plays a candidate for "Change" Democrat. Their campaign managers are played by the ever-brilliant Stanley Tucci in Karl Rove mode and Nathan Lane respectively. But the jokes are as soft as the targets are obvious. This movie clearly doesn't want to upset anyone. Still, maybe this was the right way to go with what is, essentially, a sweet film about a father and daughter bonding. And on that level, this is a very satisfying film.

The SWING VOTE opened earlier this year in the US, Greece and Turkey. It is currently on release in Brazil and the UK. It opens in the Netherlands and Spain on October 30th.

Random DVD round up 1: MR BROOKS

Mr Brooks (Kevin Costner) is a well-respected successful businessman, with a beautiful wife, a beautiful house and a beautiful car. He also gets off on killing people - a genetic trait he has apparently passed on to his beautiful daughter. The resulting movie plays less as a scary psycho-thriller than sympathy for a serial killer. After all, if adulterers can be re-cast as sex addicts, Mr Brooks isn't a criminal so much as a victim of his uncontrollable urges. Shorn of its pyschological edge, MR BROOKS descends into a satistifying if unmemorable CSI style police procedural. Demi Moore is fine in the smart cop role and William Hurt's role as Mr Brooks' personal devil offsets the inherent incredibility of Dane Cook's performance as a fetishistic photographer.

MR BROOKS has already been released in Argentina, Turkey, the US, Bulgaria, Russia, France, Poland, Sweden, Israel, Greece, Norway, Denmark, Indonesia, Australia, Mexico, Kuwait, Chile, France, South Korea, Panama, the Netherlands, Brazil, Finland, Iceland, Hungary, Slovenia and Italy. It is now showing in the UK and opens in Belgium on October 17th, Germany on November 29th and Spain on December 5th.

Overlooked DVD of the month - THE UPSIDE OF ANGER

THE UPSIDE OF ANGER is an interesting and original adult drama. (I refrain from calling it a rom-com). It's original because writer-director Mike Binder dares to feature a romance between two mentally and physically out-of-shape middle-aged people. This means that a great "character" actress like Joan Allen can get a starring role as a woman whose husband has apparently left her for his younger PA. She hits the bottle pretty hard and starts an affair with a has-been baseball player called Denny (Kevin Costner). She also has four teenage daughters who have various issues. It's not one of those laugh-out loud movies, although it does contain some wry laughs. And it doesn't have the typical formulaic plot arc where the happy couple meet, argue, get back together. It moves at a patient pace and creates interesting characters. I just think it's lovely to see a mature film for a change, and in some ways, the less epic plot creates a more cohesive and successful film that Binder's later work, REIGN OVER ME.

THE UPSIDE OF ANGER played Sundance in 2005 and opened in the US that year. It didn't open in the UK until May 2007 and is available on DVD.

THE GUARDIAN - wishing for Tom Cruise

Director Andrew Davis makes heavy work of this derivative, ponderous action movie. Kevin Costner stars as a legendary coastguard with marital problems. Obliged to take up a post as a trainer, he meets a cocky young student played by Ashton Kutcher. Kutcher is seriously out of his depth in a serious dramatic role, and shocked as I am to admit this, I found myself longing for the Tom Cruise of TOP GUN, or better still the Richard Gere of AN OFFICER AND A GENTLEMAN. Actually, I was longing for the emotional depth and brutality of a OFFICER all the way through this formulaic clap-trap. Yes yes, we've seen it all before. Kutcher will change from a narcissistic idiot to a mature, battle-scarred coast-guard. The hard-as-nails local girl will fall for him. And Costner's character will learn to respect Kutcher's character. Ron L Brinkerhoff's script offers nothing new. So, while I admired the technical effects and the ballsiness of the denoument, frankly, after two hours of weak bilge my emotional investment was nil.

THE GUARDIAN went on cinematic release in autumn 2006 and is available on DVD.

RUMOUR HAS IT - enough with the Unfunny

What did I do when I wasn't laughing at this movie? I wondered why, if the movie is set in 1997, Jennifer Aniston is carrying a 2005 Cruise collection Gucci handbag. It turns out that I am not the only one not to be feeling the love for this movie. Costner apparently had the original director fired half-way through shooting. That director was replaced by Rob Reiner. Rob Reiner directed THIS IS SPINAL TAP, perhaps the funniest movie ever made. How are the mighty fallen.

RUMOUR HAS IT is on global release.