ON THE ROCKS

Laura is a thirtysomething young mother whose husband is always travelling with work. Her life has been subsumed by getting the kids from A to B, and as much as she loves them, she's struggling to create the mental space to focus on writing her new book. Even worse, rather than having a rich inner intellectual life, she's stuck listening to other mums complain about their dating lives.  And even when Laura's husband Dean does coming home from yet another travel trip, he's exhausted, she's exhausted, the conversation gets mired in the bureaucratic minutiae of family life.  Things hit a tipping point when Dean drunkenly starts having sex with Laura but pulls back when he realises it's her. And then she finds his hot colleague Fiona's beauty kit in HIS suitcase. Is he having an affair?

Laura confides in her father Felix who argues that Dean probably is having an affair, because heck, that's what men do.  Felix seems to relish spending time with Laura as they tail Dean through New York and even to Mexico to uncover evidence of his misdeeds. And all of this makes for a hilarious buddy comedy that could easily serve as a prequel for a detective duo TV show. Rashida Jones (Laura) and Bill Murray (Felix) have real chemistry and it's just an absolute blast seeing them slope around Manhattan together in his absurd red sports car just being charismatic and witty and rogueish in that Bill Murray way. And we also get a side order of comedic genius from Jenny Slate (LANDLINE) as the hilariously self-involved school mum.

But there's so much more going on in this film. It's almost as if Bill Murray is back in THE ROYAL TENENBAUMS but this time he's playing the Gene Hackman role.  Laura's willingness to suspect her husband of infidelity is clearly coloured by being raised in a broken home. Likewise, her father's willingness to think Dean is cheating is coloured by his own predilections.   It's clear that Laura feels lost and hurt.  But is any of that her husband's fault?  Or is this just motherhood damaging her sense of self, and thus self-esteem.  And is that lack of self-esteem in her marriage bringing up issues around her own childhood and her father's infidelity.  

So, from my perspective, this film isn't about whether the husband cheated or not at all. And that's why the Marlon Wayans character, Dean, is so vacuous.  We actually don't care about him, and maybe neither do the lead characters. In the words of Laura, "what if I'm just in a rut?" And also paraphrasing from Laura, what if her dad just wants to spend more time with her?  And from writer-director Sofia Coppola (THE BEGUILED), maybe the shadow Laura is trying to move out from under isn't that of motherhood but her larger-than-life dad?  

ON THE ROCKS is rated R and has a running time of 96 minutes. It is streaming on Apple TV+.

G. I. JOE: THE RISE OF COBRA - cinematic TVR

The British, god bless us, do many things well, but building sports cars isn't one of them. We used to build a car called the TVR - a car so uncool it's name was a shortened version of "Trevor" - a car so insane it put a v8 engine inside a light-weight chassis - a car so loud and shouty that Jeremy Clarkson famously said of it, "it will kill you". Further, "my wife loves this car. She loves the noise and the vibrations and the sense of danger and the way that when you over-rev it, the whole dash lights up like a baboon's backside. Richard Hammond on the other hand, he pretty much hates it. He says its too difficult and too complicated and that all the stitching in here looks like the kind of stitching you find when someone's tried to mend their own shoes."

I feel the same way about G I JOE: THE RISE OF COBRA. Your teenage kid brother might like it, but what does he know, eh?

G I JOE: THE RISE OF COBRA isn't so bad, it's good. It's so bad, period. Much like the TRANSFORMERS flicks, similarly spawned from shitty kids toys, the movie is heavy on ludicrous CGI special effects and loud-shouty battle scenes. In the brief spaces when the fighting stops, there's a lot of rather convoluted plot crammed in. Essentially, there are bunch of baddie arms dealers who've created nano-bot super-soldiers. On the other side, there are a bunch of tooled up soldiers who are trying to stop them. In the middle, there's a chick who used to be in love with the good guy but who is know kicking ass for the baddies. But hey, apparently even a woman scorned can't resist beefcake Channing Tatum.

The resulting movie is just no fun. It's actually pretty boring being brutalised by non-stop loud battle scenes. All of which is a crying shame, because idiotic, puerile premise apart, this movie has pedigree. The DP is Mitchell Amundsen, of MISSION IMPOSSIBLE III, BOURNE SUPREMACY, and PIRATES OF THE CARIBBEAN fame. The script was written by Stuart Sommers, who wrote the far funnier MUMMY movies. Not to mention the fact that you have people who can actually act - Joseph Gordon Levitt, Christopher Eccleston - in major roles. God knows why they went for this flick. Let's hope they, Tatum, Miller et al, have paid for their respective new houses and can now all get back to the indie flicks they're known for.

G.I. JOE: THE RISE OF COBRA is on global release.

NORBIT - actually not so bad!

I refused to see NORBIT in the cinema because I didn't want to be party to yet another film in which someone (usually Eddie Murphy) dons a fat suit and makes fun of fat people. It seems that in these politically correct times, the only people we can still mock with impunity are chavs and the obese. But eventually, Doctor007 brought the flick over on DVD and actually I was pleasantly surprised, because once you strip away the fat jokes this is actually a very funny, if utterly predictable, romantic comedy. In addition, while I think the flick could've survived as happily without the fat jokes, you do have to admire Murphy and the make-up artist for creating a character, Rasputia, that is utterly believable.

As usual, Murphy plays a bunch of characters in this flick but the main one is a gullible orphan called Norbit. Early on in life he loses his sweetheart and is taken up by a mean fat girl called Rasputia and her criminal family. In adult life, he's bizarrely happily married (after all, Rasputia gives him a family), until his childhood sweetheart walks back into his life. She's played by Thandie Newton in full on "sweet" mode. The movie is about Norbit realising that he has the strength to walk out on adulterous Rasputia and expose his girlfriend's fiance as a con-man.

Against all expectations, there are plenty of laugh-out-loud moments, although tellingly these do not involve Rasputia. I loved the Eddie Griffin and Marlon Wayans characters, for instance. There's also something instinctively appealing about a movie filmed in primary colours in which good wins out over bad. So, surprised as I am to say it, NORBIT gets a thumbs up as a DVD movie.

NORBIT was released in February 2007 and is now available on DVD.