`THE MAN WHO INVENTED CHRISTMAS - Crimbo Binge-watch #8

Director Bharat Nalluri (MISS PETTIGREW LIVES FOR A DAY) returns to our screens with a rather more well researched than had expected fictionalised account of how Charles Dickens wrote the iconic story A Christmas Carol. Adapted by Susan Coyne from a book by Les Standiford, the film paints a very convincing portrait of an author under great financial stress, with a taste for luxury, a large family to support, and an almost pathological fear of the poorhouse. Most fascinating is the portrayal of the relationship between Dickens and his father - a man who fell into debt, as a result of which Charles spent some of his childhood doing menial labour. Accordingly, this isn't a film about saving Scrooge (although it is) but about saving Dickens - allowing him to make some kind of amends with his father and truly celebrate the newly hyped holiday of Christmas which - lets be honest - wasn't so much invented by Dickens as Prince Albert. The second aspect of the script that I really liked was the idea of making the characters in A Christmas Carol come to life and lobby Dickens about what they want to happen to their characters. It lifted a rather conventional if well done costume drama into something more witty and revealing. The cast is also superb - featuring actors of the calibre of Miriam Margolyes and Jonathan Pryce (Dickens' father) and Christopher Plummer (Scrooge). If anything it's the rather banal Dan Stevens who lets down the show in the central role.

THE MAN WHO INVENTED CHRISTMAS has a running time of 104 minutes and is rated PG. It was released in 2017.

THE WEDDING VIDEO

Modestly funny but ultimately underwritten rom-com slash satire from the writer and director behind CALENDAR GIRLS.   The deliciously brilliant Lucy Punch (YOU WILL MEET A TALL DARK STRANGER) plays former wild child turned demure nouveau riche bride Saskia.  In the weeks before her ludicrously over-the-top wedding, she revolts against her spineless fiance Tim (Robert Webb) and becomes attracted to his boorish brother and best man Raif (Rufus Hound).   Naturally, their indiscretions are caught in his amateur video of the build-up to the big day leading to entirely predictable last minute shenanigans. This clichéd is hard to buy in to because the characters are so under-written and one-dimensional.  It's hard to see why Saskia would be attracted to either brother, and the promised revelations of her teenage rebellion seem rather tame.  The social satire on competitive mothers-of-the-bride is far more successful and it's Harriet Walter as Saskia's mother who steals the show.  The observational comedy is just absolutely spot on and authentic - from the mother gloating over her friends when she's secured the perfect venue - to the more extreme but subtly done idea that the bride will arrive on a fake unicorn.  Ultimately, this already short film feels like it has a superb half hour television social satire hidden inside it and frankly, the production values don't lend themselves to the big screen either. 

THE WEDDING VIDEO is on release in the UK, Sweden and Ireland.

Random DVD Round-Up 3 - LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE

I really rather liked LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE. It is a beautifully animated, brilliantly voiced, old-fashioned story in the manner of WATERSHIP DOWN.  Moreover, it is blissfully absent of the sort of post-modern wit that propels the SHREK franchise. What's even more astonishing is that it was directed by Zack Snyder - purveyor of visually lush but morally vacuous, if not morally objectionable, fare like 300 and SUCKER PUNCH. The protagonists were sympathetic and endearing and their adventure story more compelling than any plot description would suggest. 

The story is based on the Guardians of Ga'Hoole books by Kathryn Lansky books, and this film focuses on two young owls, Soren and Kludd, who are kidnapped by some nasty racial purist owls. Luckily Soren is taken under the wing of a fellow inmate and taught how to outwit his captors and to eventually seek out the Jedi like Guardians who can teach him how to use his Gizzard and "save the world". If this sounds very STAR-WARS then it succeeds for the same reasons that Star Wars succeeds - it's a classic Saturday Morning Adventure Serial with good triumphing over evil, framed as a coming-of-age story. 

LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE went on global release in autumn 2010. It is now available to rent and own.

HOW TO LOSE FRIENDS AND ALIENATE PEOPLE - amiable enough, but pulls its punches

HOW TO LOSE FRIENDS AND ALIENATE PEOPLE is a conventional romantic comedy in which a hapless bloke overlooks the small-town girl who will make him happy in his quest to shag a Hollywood star until the mandatory final reel emotional epiphany. Simon Pegg plays the bloke - and is amiable enough even when he's being a total arse. After all, which Joe Everyman wouldn't temporarily loose his head when offered VIP status and It-Girls a-go-go? Megan Fox (TRANSFORMERS) has a thankless role as the aforementioned It Girl and Kirsten Dunst also has a thankless role as the "real girl".

In fact, the script feels altogether under-written, and rather pulls its punches. Underneath all the rom-com guff we're meant to have a stinging indictment of the shallow materialism and corrupt back-scratching of the Hollywood media machine. What we get instead are a few pithy lines from Danny Huston and Gillian Anderson as the journalist and PR woman respectively. But the movie seems to have about as much interest in pushing this critique as Jeff Bridges has in his performance as the magazine editor.

So, all in all, this movie slips down easily enough, but it's pretty thin fair.

HOW TO LOSE FRIENDS AND ALIENATE PEOPLE played, improbably, Cannes 2008, and opened this weekend in the US, UK and Poland. It opens next weekend in Belgium and Russian and opens on October 16th in South Korea and on October 23rd in Australia. It opens in November in Norway, Belgium, the Netherlands and Germany.

LADIES IN LAVENDER - soporific schmaltz

Yes, yes, Dame Judi Dench and Dame Maggie Smith are simply marvellous actresses and it's interesting to see Charles Dance turn his hand from acting to directing. It's even rather nice to seen a costume drama set, not in a country house, but in a charming cottage on the English coast. But oh my word, this movie takes a long time to make it's rather slight emotional point. The bat's squeak of emotion barely survives the two-hour run-time.

The plot, such as it is, involves a young Polish man (Daniel Bruehl in a thankless role) who is washed up on the English coast in the middle of the last century. He is taken in by two old spinsters. The elder (Maggie Smith) is kind but reserved. The younger (Judi Dench) forms a strange attachment to the young man, becoming irrationally jealous when he forms an attachment to a young German woman (Natascha McElhone). It turns out that Judi Dench's character is trying to recapture a youthful passion. This is all very sad, but frankly, not enough to set the world alight, and certainly not enough to engage my sympathy or interest.

LADIES IN LAVENDER played Toronto 2004 and was released that year. It is available on DVD.