THE PROM

THE PROM is a ridiculous frothy neon-lit confection that perfectly fills our need for joy in this winter Covid lockdown. I know it's taken heat for a) not casting its original Broadway cast but upping the ante with big Hollywood stars and b) not casting an actual gay man but James Corden playing a very cliched camp gay man but I honestly do not care because the result is just wonderful! Meryl Streep and Corden are superb as an old down-on-their-luck, woefully un-self-aware couple of Broadway stars! Corden is just very good in this role! Despite their narcissism and delusion we root for them and their two friends - a similarly hapless chorus girl played by Nicole Kidman and a barman played by Andrew Rannells. 

This wonderfully kooky foursome cynically jump on a social media story about a teenage lesbian who isn't allowed to go to her homophobic small-town high school prom.  They swoop into town and lobby in her favour, but when the rest of the town cold shoulders her by not turning up, they throw her an inclusive prom of her very own. The dramatic tension comes from whether her girlfriend will come out, despite the fact that her mum (Kerry Washington) is homophobic; and whether James Corden's characters mum (Tracey Ullman) will finally accept him. But suffice to say that this all ends in a wonderful show-stopping tune with enough glitter and neon-light to banish the Covid blues.

This film is cheesy, predictable, progressive wishful thinking but damned if I didn't shed a happy tear by the end. Like SCHITT'S CREEK, this film shows us the world as it could be, and how joyous a thing it is to behold. 

THE PROM is rated PG-13 and has a running time of 130 minutes. It was released on Netflix on December 11th.

THE TALE OF DESPEREAUX - less than the sum of its parts

THE TALE OF DESPEREAUX is a rather wilted new children's animated feature based on the popular modern fairy-tale from writer Kate DiCamillo. It has been brought to the screen by directors Robert Stevenhagen and Sam Fell, who was behind the brilliantly funny and fast-paced FLUSHED AWAY. And the screen-writers worked on the similarly engaging ANGUS THONGS AND PERFECT SNOGGING. The voice cast is superb. The fairy-tale is narrated by Sigourney Weaver and our hero is voiced by Matthew Broderick. The Princess is none other than Emma "Hermione" Watson and in smaller roles we have character actors of such calibre as Frank Langella, Richard Jenkins, Robbie Coltrane and William H Macy. The animation is stunning - everything looks hand-drawn, like a medieval fable come to life. And the movie is filled with the best of intentions. The message is that honesty, sympathy, courage and forgiveness are the keys to a happy life.

Why then does this film fall so flat? Why then is it such a painfully slow watch? Maybe it's because there's simply too much story to get through? Maybe it's because it is too careful to be politically correct and spends too little time on good old-fashioned action-adventure? Maybe it's because it's basically a rather trivial story - as acknowledged in the narrator's epilogue. It's the story of a rat called Roscuro who falls into a Queen's soup by mistake, causing her to die of shock. The King, grieving, bans soups and rats and his kingdom falls into darkness. The Princess, longs for sunlight and in her anger upsets Roscuro who has come to apologise. She also upsets her servant Miggery. So Miggery and Roscuro allow the rats to capture the princess, though they regret it almost immediately. Which is when a courageous little mouse called Despereaux saves the day! Kind of. What really happens is that the Princess forgives Roscuro, Roscuro forgives the Princess, Miggery forgives the Princess and the people forgive the King. Phew! Everyone gets soup, the mice learn not be cowards, and Miggery finds her dad. Aah!

I think you get the drift of how hard it must have been for the directors to balance all this material, and how Despereaux sometimes gets lost in the muddle. It's a shame, but there it is. This movie is so jumbled that it's less than the sum of its parts.

THE TALE OF DESPEREAUX is on release in the UK, US, Spain and Hong Kong. It goes on release in Hungary, Russia, Australia and Norway on Christmas Day. It opens in Chile, Croatia and Estonia on New Years Day. It opens in Brazil and Sweden on January 16th; in Turkey on January 23rd; in the Netherlands and Argentina on February 4th; in France on February 11th; in Belgium and Egypt on February 18th; in Denmark on March 6th; in Singapore and Finland on March 12th and in Germany on March 19th.

Overlooked DVD of the month - I COULD NEVER BE YOUR WOMAN

I COULD NEVER BE YOUR WOMAN is a very witty satire at the expense of the superficiality of TV studio execs, played out in the form of a romantic comedy. It features a star cast including Michelle Pfeiffer, Paul Rudd and Saiorse Ronan, who went on to win acclaim for her role in ATONEMENT. British comedy fans will be delighted with cameos from Graham Norton and Mackenzie Crook. And yet, this film went straight to video in the UK.

I have no idea why this movie bombed. I found it really hillarious, spot-on in its social critique and pretty insightful about how men and women approach ageing. Pfeiffer plays a forty something TV exec who writes a teen sitcom in the manner of SAVED BY THE BELL. She's trying to "moisturize her way back to her twenties" and believes that by wearing a Ramones t-shirt and maintaining her college weight she can fight off the ageing proces. Paul Rudd plays the twenty something cast-member who tries to date her. Already, you've got a movie that takes the piss out of the fact that all the supposed teens on US TV are actually married with kids. And then you have the meta critique with Rudd and Pfeiffer playing people ten years younger than they are.

All I can say is, that this movie is definitely worth seeking out. It far surpasses all those Judd Apatow movies on the laugh-out-loud-o-meter. If you liked CLUELESS or KNOCKED UP - this is one for you!

I COULD NEVER BE YOUR WOMAN opened in Spain, Belgium, Greece, Brazil, Turkey, Poland, the Netherlands, Russia, Hungary, Estonia, Indonesia and Israel in 2007. It opened earlier in 2008 in the Philippines, Hong Kong, Thailand and Mexico. It went straight to video in the US and UK.