We are in early 80s small-town mid-western America and this film is based on a real-life story. The Feds are on the trail of a young charismatic neo-Nazi who is orchestrating a series of bank robberies to fund his war on America. His foundational text is the same one that inspired the Jan 6 insurrection. Nicholas Hoult is the cult-leader Bob Mathews - handsome and convincing. Mathews is sinister in how low-key he is but also how swiftly he can whip up a mob. Jude Law continues to give career-best performances in his middle-career - following his turn as a truly sinister Henry VIII in FIREBRAND - with this self-effacing performance as a decent but scarred and often ill-judged Fed called Terry Husk.
Screenwriter Zach Baylin (CREED III) crafts a spare and slowly-ratcheting anxiety-inducing script. The pivotal relationship is between Husk and Mathews who contain enough humanity to somehow not be able to take that pre-emptive shot. But I also loved the scenes between Hoult's Mathews an his father, a David Duke type figure played convincingly by Victor Slezak.
THE ORDER plays like an old-fashioned police procedural, much as the recent JUROR NO 2 (also starring Hoult) played like an old-fashioned courtroom drama. I am here for it. I love the feeling of being in a handsomely-made, well-played, slow-burn, patient, unflashy, grown-up thriller. There is nothing not to like about this film.
THE ORDER played Venice and Toronto 2024 and is available to stream on Amazon Prime. It is rated R and has a running time of 116 minutes.
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