Showing posts with label aki kaurismäki. Show all posts
Showing posts with label aki kaurismäki. Show all posts

Thursday, April 12, 2007

Two overlooked music docs of the month - BRASILEIRINHO and DAVE CHAPPELLE'S BLOCK PARTY

I hate this! I don't like it at all. I like beaches, and drinking and girls. In all the ads, they say Come to Brazil. We've got beaches and drinking and girls. They don't say, we've got vicious angry mobs that chase you into the jungle.Two very different music docs out on DVD. The first is a doc called BRASILERINHO from Finnish director (and brother of Aki) Mika Kaurismäki. For 90 minutes we get virtuosi Brazilian musicians playing choro - the prescursor of samba and the first truly Brazilian form of music. It combines European classical dance forms, complex inprovisation and counter-point, and African rhythem. At first we see small ensembles playing in concert halls - mostly guitars and mandolins. Slowly we add in tambourine players, brass players, singers and veen dancers, before a rousing big band finale. The documentary is evidently a labour of love and passion and the virtuosity of the musicians shines through. The quality of music is exceptional and the director has the good sense not to complicate matters with over-editing. What we do have is a very high quality sound mix (Uwe Dresch) and lensing (Jacques Cheuiche) that holds a steady close admiring view of the players. Because the doc does not spend too much time contextualising the music or imposing a narrative structure on the music, non music-buffs might be frustrated. For my part, this was a fascinating concert doc, and when it was over, Doc007 and I immediately went back and played our favourite tracks over. Perfect for a rare balmy London evening.

Attention Huxtubles. There is a Block Party down the street. Bring Yourselves. BRING YOURSELVES! And bring Rudy, Theo, and Denise.The second doc is DAVE CHAPPELLE'S BLOCK PARTY. This is a production that brims over with good-will - as befits a project wherein a super-rich comedian local-boy brings a bunch of world-class rap stars back home to Bed-Sty for a free street concert. There's enough of Dave Chappelle charming people into turning up and free-style riffing on stage for those of use who've never caught his Comedy Central show to realise what a good comedian he is. And there's enough concert footage for us to appreciate the musicianship. But the doc lacks the simple focus of BRASILEIRINHO - the sets are too short and the comedy too fleeting. I love Jill Scott and The Fugees and there simply wasn't enough of either! I'm also unconvinced by Michel Gondry and Ellen Kuras (DP)'s shooting style. The movie seems seems to unsettled - too choppy - and distracts from the musicians. Still, all of us waiting for that Fugees reunion will take what we can get.

BRASILEIRINHO played Berlin 2006 and was released in France and Belgium in 2005, in Finland and Hungary in 2006 and in the UK on March 23rd 2007. It is now available on DVD.

DAVE CHAPPELLE'S BLOCK PARTY played Toronto 2006 and Berlin 2006. It opened in the US, UK, Germany, France, Czach Republic, Greece, and Japan in 2006. It is available on DVD.

Sunday, April 08, 2007

LIGHTS IN THE DUSK/LAITAKAUPUNGIN VALOT - tragicomedy so deadpan it makes Droopy Dog look energetic

George Costanza: There is no bigger loser than me!Koistinen is a loser. He has no friends, no lover, his co-workers take the piss out of him and he is so evidently a patsy that a cynical bunch of Helsinki thugs set him up for a heist, by way of a femme fatale. The artificial courtship takes up the first half hour of this short tragi-comedy and it is replete with director Aki Kaurismäki's trademark strained conversation, stylised framing and quirky set pieces.

Take the way in which the femme fatale breaks it off with Koistinen. He tentatively places his hand on her shoulder. She removes it. "Are you trying to break up with me?" he asks. "I need to travel. My mother is sick," she replies. "When do you need to leave?" he responds, forlorn. "Immediately." She gets up. Comedy so deadpan it makes Droopy Dog look energetic.

The second half of the movie is heavier work. The audience wills the movie to its obvious pay-off but Koistinen's masochistic passivity feels uncomfortably like sadism on the part of the director, the audience now complicit. Just how much more punishment can we watch? And perhaps the most damning thing I can say about this otherwise charming, though slight, film, is that at 77 minutes it feels around 15 minutes too long.

LIGHTS IN THE DUSK played Cannes, London and Toronto 2006 and was withdrawn by the director from the 2006 Oscar noms. It was released in Finland, Sweden, Norway, Denmark, Greece, France, Poland, Russia, Belgium, Germany and the Netherlands in 2006. It opened in Estonia, Spain, Italy and Hungary earlier this year. LIGHTS IN THE DUSK is currently on release in the UK and opens in the USA on June 13th 2007.