THE FIVE YEAR ENGAGEMENT

THE FIVE-YEAR ENGAGEMENT is a banal, over-long romantic comedy firmly in the will-they-won't-they-oh-get-on-with-it.  Jason Segel and Emily Blunt as two people so manifestly right for each other, that one can only lose respect for them and their relationship by the amount of faux-obstacles they put in the way of the final, compulsory, over-the-top, wedding scene.  

He's a successful San Francisco chef who moves with her to Michigan for he dream university job. Reduced to selling tacos he becomes resentful, and she resents his resentment.  A mild indiscretion on each side leads to a temporary break-up and a third act epiphany and reconciliation.  I say that very quickly - in reality it's an hour of really dull cinema. 

Whatever comedy there is, is provided by Community's Alison Brie as Blunt's sister, complete with pitch perfect English accent, and her husband. They even steal the show at the leading couple's wedding!  Poor Rhys Ifans is saddled with the most unbelievable Professor in film, and Mindy Kaling, as his research assistant, is utterly wasted. 

What's really sad is that the dilemma posed by this movie is a real one. Lots of us have been in relationships where one person has to take a back seat to the other's career, whether because someone had to move to get a degree or a job, or whatever. It's a real everyday problem.  This movie had the potential to introduce some authentic, clever, observational comedy.  But I'm guessing that neither screenwriter has been in that position and that neither really gets it.

Overall, this is the second piss-poor film that Jason Segel and writer-director Nicholas Stoller have been involved with since GULLIVER'S TRAVELS. Enough already.  

THE FIVE-YEAR ENGAGEMENT was released earlier this year in the USA, Canada, Australia, New Zealand, Iceland, Serbia, Slovenia and Taiwan. It is released today in the UK, Ireland and Lithuania. It opens next weekend in Croatia, the Netherlands, Russia, Poland and Turkey. It opens on July 5th in Israel, on July 12th in Germany, on August 1st in Belgium and France, on August 10th in Mexico, on September 7th in Spain, and on September 28th in Italy.

The movie is rated R and is 124 minutes too long.

DRAG ME TO HELL - works better as loving pastiche than as horror

DRAG ME TO HELL is a very funny, loving pastiche of 70s exploitation horror flicks. It sees Sam Raimi of SPIDERMAN fame return to his roots, and every frame of this movie speaks of the fondness he has for the ludicrous nature of lo-fi horror. The colouring, the low-rent special effects (big on oozing bodily fluids), the two-dimensional characters, the absurdity of the central premise - it's all there. And in every case, the Bad Things that happen aren't scary at all, but just plain funny. This is, then, a movie, with it's tongue firmly in its cheek and, indeed, its pulse firmly on the zeitgeist. After all, in these recessionary times, who doesn't want to see the loan officer foreclosing a house get well and truly skewered?!

The plot is simple. Alison Lohman (WHERE THE TRUTH LIES) plays a sweet little push-over called Christine Brown. Fearing she'll be out-manoeuvred for a promotion by the office kiss-ass, she takes the unprecedented step of foreclosing the creepy Mrs Ganush (Lorna River). The boss at her bank (David Paymer) is impressed, but it all goes Pete Tong when the creepy Mrs Ganush puts a gypsy curse on Christine. For the next three days, she gets all manner of gross bodily fluids thrown at her, before the goat demon comes to take her soul. Her only chance of escape is to transfer the curse to someone else....

Lohman is perfectly fine as the scream-queen, but the movie belongs to the supporting cast. Reggie Lee is hysterical as the office kiss-ass, Justin Long is suitably straight-faced as the drippy boy-friend and Dileep Rao is spot on as the Indian mystic, to whom Christine turns for help. Overall, DRAG ME TO HELL is Sam Raimi at his most entertaining. But horror fans, take heed, this movie is PG-13 for a reason.

DRAG ME TO HELL played Cannes 2009 and is on release in the US, UK, France and Lithuania. It opens next weekend in Malaysia and South Korea. It opens on June 12th in Germany, Singapore, Estonia, Finland, Norway and Sweden. It opens on June 18th in the Czech Republic and Denmark. It opens on July 2nd in Belgium, the Netherlands, Taiwan, Turkey and Vietnam. It opens on July 9th in Russia and on July 31st in Spain. It opens on August 14th in Brazil, and on August 20th in Argentina and Mexico.

Overlooked DVD of the month - CITY HALL

From the writers of SCENT OF WOMAN, RAGING BULL, TAXI DRIVER, GOODFELLAS and CASINO comes a political thriller starring Al Pacino, John Cusack, Danny Aiello and and David Paymer. The resulting movie is slick, compelling and labyrthinthine in the links it establishes between the mafia, the political machine and law enforcement. John Cusack plays the naive out-of-towner turned New York Deputy Mayor. Through his eyes we start to investigate the corruption in City Hall when a cop and a mafiosi kill each other in a shoot-out and an innocent kid is killed in the crossfire. The key question is why the mafiosi was on probation in the first place. The investigation takes us into bent real estate deals and exploitative political grand-standing. We see genuinely bad men and we see good men who can't help but be implicated in a corrupt establishment. The most sympathetic is Martin Landau as the judge who signed off on the probation. The most compelling is Danny Aiello's political fixer and Rogers & Hammerstein fan. In contrast to his later films, Al Pacino's histrionics are well contained and carefully aimed. As mayor, he constructs a beautifully melodramatic funeral oration - perfect advertising and yet also just what was needed. John Cusack is also perfectly cast as the charismatic Deputy Mayor who finds himself out of his depth. The movie isn't perfect. It's rare to find a film that would've benefited from a longer cut, but this is a great example. I also found the insertion of Bridget Fonda's character a bit clumsy and redundant. Still, for all that, CITY HALL is a slick, engaging political thriller that stretches the brain but still contains pleasurably witty one-liners and dramatic set-pieces. Highly recommended.

CITY HALL was released in 1996 and is available on DVD and on iTunes.

REDBELT - well-acted thriller undone by schmaltzy ending and ludicrous paranoia

David Mamet specialises in this sort of movie: brilliant dialogue, solid casting, plot twists up the wazoo. The problem is that the balance is off-kilter in REDBELT. It's a thriller in which the plot twists and depth of betrayal is so complete and, at times, so seemingly random, as to defy plausibility and empathy.

All of which is a shame, because Chiwetel Ejiofor does a great job in bringing the protagonist, Mike Terry, to life. He perfectly articulates the attraction and absurdity of a man like Terry. On the one hand, this martial arts instructer is laudably honest, loyal and intelligent. He's a stand-up guy. On the other hand, you can see why his wife, Brazilian "princess" Sondra (Alice Braga), would be infuriated by her husband's lack of business sense. Idealists are admirable, but who's gonna keep the business going?

Short of cash, Terry and Sondra get a seemingly lucky break. By chance, Terry saves a Hollywood star (superb against-the-grain cameo by Tim Allen) in a bar-fight and suddenly Terry's going to be a Hollywood producer and his wife is going to be a fashion designer. Problem is, Terry's martial arts training method is ripped off to spice up a pay-per-view martial arts fight. Who's the villain? The Hollywood star? His in-laws? His wife?

Terry runs around trying to keep his head above water. Everyone is sullied by greedy capitalism but Terry. The crude contrast of idealism and greed is ludicrous, as is the schmaltzy denouement straight from THE KARATE KID. I'm not sure what Mamet is trying to say. Worse still, I'm not sure I even care.

REDBELT opened earlier this year in the USA, Brazil, Estonia, Spain, Australia, Belgium, Italy and Germany. It is currently on release in the UK.