WAR FOR THE PLANET OF THE APES

WAR FOR THE PLANET OF THE APES is an emotionally affecting, visually impressive, intelligent conclusion to the new trilogy of films that began with RISE and more recently DAWN.  As the film opens we find our sensitive ape hero, Caesar (Andy Serkis) holed up in a forest, fighting off incursions from the Colonel's soldiers.  The apes position is unsustainable, so Caesar entrusts his best friend Maurice to lead the tribe to a promised land across the mountains (very deliberate biblical parallels here). Meanwhile Caesar and a handful of followers goes on a revenge mission.  Along the way he encounters a young mute girl, who we will learn will become the future Nova (for those familiar with the Charlton Heston movie) and a tragicomically traumatised monkey called Bad Ape (Steve Zahn).  The bulk of the movie is, then, set in the ape prison camp run by Woody Harrelson's Colonel. We see infiltration, capture, and escape plans hatched and dramatic action sequences.

The resulting film is brilliantly nuanced and resonant.  Caesar is our hero, but he's guilt-ridden for killing his militant ape enemy Koba in the previous film.  We also have to consider the conflict between the needs of his tribe for a leader and his need for personal vengeance.  The Colonel is similarly nuanced despite an exaggerated performance, deliberately echoing Brando as Colonel Kurtz.  As the movie progresses we learn that he too is under threat for taking harsh and perhaps justified decisions that parallel Caesar's decision to kill Koba. And, in observing the Colonel's fate, one can't help but suspect that maybe he was right. 

There are certain aspects of this film that I suspect everyone will like.  The cinematography is spectacular.  The mist rising from the forest - the green gun lights shining through a waterfall and into a darkened cave - apes on horses riding across a beach in the morning sunlight reflected in the ripples of sand. And it's hard not to get drawn into the trials of Caesar - a character we have come to know and love over three movies, and to be affected at the mutual admiration between Caesar and Maurice. 

As for the rest, it will very much depend on your tolerance for the broad strokes of "big" cinema.  I have also mentioned Woody Harrelson's literally cigar-chomping performance as the messianic cult leader Colonel. And little Nova is very much an angelic martyr to the genetic mutations that are now sweeping mankind after the Simian flu epidemic.  But it's Caesar where the metaphors work hardest and loudest.  He is cast as a kind of Christ, crucified on the prison frame, and then as a kind of Moses, leading his apes to the Promised Land. And then, along the way, we have echoes of prison films from KWAI to THE GREAT ESCAPE to UNBROKEN and Caesar as the beaten up hero of them all. I personally loved this recasting of the prison film genre with a sensitive and intelligent ape as the lead. But for some, this could become ham-fisted. 

WAR FOR THE PLANET OF THE APES is rated PG-13 and has a running time of 140 minutes.  The film is on global release. 

DAWN OF THE PLANET OF THE APES

DAWN OF THE PLANET OF THE APES is a handsome, earnest if somewhat hamfisted sci-fi action movie that dazzles visually but grates emotionally.  

Five years after the events of the reboot, Caesar (Andy Serkis), the genetically modified intelligent ape has founded a colony and a family in the forests outside of San Francisco.  His original owner (James Franco) is presumed dead from the deadly Simian Virus that has reduced mankind to small isolated survivor groups of the genetically immune.  The structure of the story is symmetrical - the apes and humans have to fashion a new society and decide how to engage with their enemy. In both camps we have the peaceful diplomats - wise Caesar and scientist Malcolm (Jason Clarke).  And in both camps we have the battle-scarred and distrustful war-mongerers - Koba (Toby Kebbell) and Dreyfus (Gary Oldman).  

Overlooked DVD of the month - CITY HALL

From the writers of SCENT OF WOMAN, RAGING BULL, TAXI DRIVER, GOODFELLAS and CASINO comes a political thriller starring Al Pacino, John Cusack, Danny Aiello and and David Paymer. The resulting movie is slick, compelling and labyrthinthine in the links it establishes between the mafia, the political machine and law enforcement. John Cusack plays the naive out-of-towner turned New York Deputy Mayor. Through his eyes we start to investigate the corruption in City Hall when a cop and a mafiosi kill each other in a shoot-out and an innocent kid is killed in the crossfire. The key question is why the mafiosi was on probation in the first place. The investigation takes us into bent real estate deals and exploitative political grand-standing. We see genuinely bad men and we see good men who can't help but be implicated in a corrupt establishment. The most sympathetic is Martin Landau as the judge who signed off on the probation. The most compelling is Danny Aiello's political fixer and Rogers & Hammerstein fan. In contrast to his later films, Al Pacino's histrionics are well contained and carefully aimed. As mayor, he constructs a beautifully melodramatic funeral oration - perfect advertising and yet also just what was needed. John Cusack is also perfectly cast as the charismatic Deputy Mayor who finds himself out of his depth. The movie isn't perfect. It's rare to find a film that would've benefited from a longer cut, but this is a great example. I also found the insertion of Bridget Fonda's character a bit clumsy and redundant. Still, for all that, CITY HALL is a slick, engaging political thriller that stretches the brain but still contains pleasurably witty one-liners and dramatic set-pieces. Highly recommended.

CITY HALL was released in 1996 and is available on DVD and on iTunes.