Showing posts with label eric cantona. Show all posts
Showing posts with label eric cantona. Show all posts

Wednesday, October 15, 2014

THE SALVATION - LFF14 - Day Eight


THE SALVATION is a beautifully made, powerfully acted, good old-fashioned Western. There's no meta-narrative, no post-modern reworking, no reimagining.  It's "just" an immensely satisfying  short, taught, austere tale of good, evil and justice served in the Wild West.  I loved every minute of it.

The film is set over a couple of days in a dirt town in 1871.  A Danish ex-pat soldier called Jon (Mads Mikkelsen) greets his wife and young son from the train, reunited for the first time in seven years.  They travel by stagecoach to their ranch, but a couple of thugs rape and kill his wife and son, with Jon utterly powerless to protect them.  He quickly takes his revenge but this sets off a train of violence: the rapist was the brother of the local crime boss Delarue (Jeffrey Dean Morgan).  The townsfolk, led by the callow Sherriff and Minister (Douglas Henshall) and undertaker and land speculator (Jonathan Pryce) are caught in a bind.  If they don't hand over the Danish brothers Delarue will continue killing them instead.  

The movie plays out exactly as one would expect for a film in this genre.  There's cruelty and injustice, a steely damsel in distress (Eva Green), a nasty double-cross, and an epic set of climactic shoot-outs.  Mads Mikkelsen does stoic obstinate vengeance like no other and I rather liked Jeffrey Dean Morgan's charismatic bandit (side note - whatever happened to him after WATCHMEN?)  Eva Green plays the role she always plays - sultry, not to be messed with.  And even Eric Cantona doesn't offend in a minor role.  But what really sets the film apart is Kristian Levring's spare style and script and DP Jens Schlosser's stunning photography.  It just goes to show that sometimes you don't need to reinvent the wheel. You just need to do something simple really well.

THE SALVATION has a running time of 91 minutes.  THE SALVATION played Cannes and London 2014.  It opened earlier this year in Denmark, Iceland, Finland, France, Belgium, Luxembourg, Sweden, Germany and Austria.  It opens in the Netherlands on November 6th.

Sunday, June 07, 2009

LOOKING FOR ERIC - The crowd call your name: They love you all the same

LOOKING FOR ERIC is one of the best films I have seen this year. It has everything - by turns laugh-out-loud funny and desperately sad - beautifully acted - utterly authentic - a middle-aged rom-com and a telling depiction of life in modern England - not to mention an insightful analysis of modern professional football. Oh yes, and it contains a touching set of cameos from legendary centre-forward, sometime actor and incomprehensible philosophe*, Eric "King" Cantona.

The core of the film is a brilliant performance by Steve Evets as Eric Bishop, a middle-aged post-man on the edge of a nervous breakdown. He abandoned his beloved first wife, Lily, thirty years ago and is still riddled by shame. His second wife has abandoned him, leaving him with two surly teenage stepsons, entangled in gun-crime. In desperation, his sub-conscious summons up Eric Cantona - an inspirational leader who will give him the courage to re-connect with Lily and save his sons, chiefly by holding onto his friends and "trusting his team-mates".

The resulting film is a marvel of tight and courageous scripting. Writer Paul Laverty doesn't shy away from grief, or from bawdy British working-class humour. Somehow, the sentimental scenes never seem schmaltzy, the dramatic scenes never seem unrealistic or forced and the political commentary is handled lightly. Most impressively, Ken Loach had so carefully entwined the peril and the fantasy elements that I utterly bought into the rather fantastic and cathartic denouement.

Overall, LOOKING FOR ERIC is a wonderful and memorable film. People who don't know about soccer, or about Cantona, need not shy away from it. It's a deeply human, warm, dark, film. If I see a better movie this year, I'll be very surprised.

LOOKING FOR ERIC played Cannes 2009 but was beaten by Haneke's THE WHITE RIBBON for the Palme D'Or. It is currently on release in France and opens in Belgium and the UK next week. It opens in the Netherlands on September 17th, in Norway on October 16th, in Brazil on December 11th and in Spain on January 8th 2010.

*"When the seagulls follow the trawler, it is because they think sardines will be thrown into the sea."