STRETCH

STRETCH is a super-low budget film shot in fast gonzo style and, despite an all-star cast, has gone to straight to video. This is a shame because it's really quite funny and works well under its own momentum.  It's directed by Joe Carnahan who directed the awesome Liam Neeson drama, THE GREY, as well as that awful A-TEAM reboot. I'm pleased to say that this movie definitely belongs with THE GREY as one of Carnahan's better movies.   

Patrick Wilson stars as a failed actor turned limo driver and recovering addict called Stretch who's still paying off the debts he incurred in his former life.  This day in the life starts when his creditors demand that he repay his $6k debt that night, he blows his first pick-up (a hilarious David Hasselhof playing himself) and tries to jack another high-paying client from his limo company's big rival, The Jovi.  This involves some convoluted events including Ray Liotta giving him a gun and a badge and a heavily disguised and hilariously gonzo Chris Pine playing a ultra-rich playboy who promises to pay off Stretch's debt if he in turn goes to pick up a suitcase full of money and some drugs.  Meanwhile, Stretch encounters his ex-girlfriend and sets up a blind date. Oh yes, and did I tell you that Stretch has a heavy voice-over throughout the movie and sees visions of his dead ex-colleague played by Ed Helms?

If all this sounds ridiculous it is.  But the movie does what all ridiculous movies needs to do - it has utter conviction in what it's doing and never winks at the camera, even when Hasselhof is on screen.  The result is a film that may  not be credible but which, against all odds, has us rooting for the protagonist and carries us along on a wave of fast dialogue, outlandish characters and crazy situations.

STRETCH has a running time of 94 minutes and is rated R. STRETCH is a straight to video movie that is available on streaming services. 

London Film Fest 2011 Day 4 - SHAME - One of the best films of the year

Michael Fassbender (Brandon) and Steve McQueen (Director) at the
photocall for SHAME at the BFI London Film Festival 2011.

SHAME is a movie that is so brutally honest and achingly sympathetic about sex and love addiction that I can't help but believe that someone in the production is or knows someone with the disease, as I do.  It leaves you profoundly thankful that someone had the balls to go where few mainstream film-makers would dare to go, and had the wit, style and empathy to depict highly sexually explicit material without one iota of leeriness or mockery.  

The movie centres on a brother and sister called Brandon and Sissy (Michael Fassbender and Carey Mulligan).  They have clearly suffered some kind of childhood trauma that has resulted in deeply disturbed attitudes toward sex and love, as well as behaviours of literal self-harm and suicide on the part of Sissy.  Brandon has created a successful, almost pathologically clean life in New York, but secretly feeds his compulsion for sex with whores, cyber-sex, one-night stands and compulsive masturbation. He takes no joy in these activities but is maintaining his dual existence comfortably until Sissy arrives.  She is less a sex than love addict, craving the attention of her brother - a relationship that hints at a dangerously unboundaried sexual tension - then his boss - she uses sex to get what she really wants, which is an approximation of a genuine emotional closeness - and self-harms when she can't get it.

Sissy's arrival and exposure of Brandon's double life leads to a moment of deep shame and purging, and an attempt to have a normal sexual relationship with an office worker. It's a relationship we know is doomed given Brandon's condition - and which precipitates a backlash that culminates in a scene of profoundly explicit sex that is also perhaps the most moving and despairing piece of acting I've seen in quite some time.  Particular credit to DP Sean Bobbitt and director Steve McQueen for capturing Michael Fassbender simulating orgasm in a manner that looks completely desperate, horrific, horrified and pained. One could almost have ended the movie on that scene and perfectly captured the tragedy at its heart.  

It should be clear by now that I am full of admiration for this bold, brave, painful movie.  Fassbender once again displays his complete courage and Steve McQueen his ability to use visuals and silence to create scenes of quiet power. But perhaps the biggest revelation was Carey Mulligan, who takes on an extremely challenging role - exposing herself physically and emotionally - and is utterly convincing.  Admittedly, SHAME is in some respects less pure than HUNGER, given that it plays with a wider cast of characters and a less austere colour palette.  But what it looses in purity and visceral power it makes up in its deep humanity.

SHAME played Toronto, Venice and London 2011. It goes on release in the US on December 2nd; in the  UK on January 13th; in Germany on March 1st and in the Netherlands on March 15th 2012.


For those wishing to seek more information about recovery from sex addiction please use the following link: http://saa-recovery.org.uk/materials/79-leaflets.html. It gives useful information and advice to anyone wanting to learn more, as well as for health professionals.