SHE SAID - BFI London Film Festival 2022 - Day 10

SHE SAID is a Tab A into Slot B journo-procedural that's basically a worthy TV movie.  It stars Zoe Kazan and Carey Mulligan as the real-life New York Times investigative reporters Jodi Kantor and Megan Twohey who broke the Harvey Weinstein scandal by convincing some of his victims to bravely go on the record.  This in turn helped trigger the Me Too movement.  Their story is clearly important, and this film straightforwardly shows the tenacity and courage - not to mention supportive husbands/fathers - needed expose a powerful rapist.

The question is whether a feature film is the right format to tell this story. Or whether THIS feature film made by this director and writer. My view is that Maria Schrader's direction is so workmanlike as to be banal, and uses a script from Rebecca Lenkiewicz that is faithful to the book, but is never gripping and doesn't move. In fact, the only truly moving part of the whole film is when they use actual real life audio of a very frightened young woman being goaded and harrassed by Harvey Weinstein into an entering a room with him even after he acknowledges that she feels uncomfortable that he touched her breast the day before. That is absolutely chilling and says more about this scandal than any re-enactment. Having seen it, I became convinced that this story would have been better told as a documentary.

As it is, we have a film that will educate those that did not read the original reporting or the book, and that has value I suppose. But this is NOT an award-worthy film except if virtue-signalling.  It's very much a made-for-TV film.

SHE SAID is rated R and has a running time of 128 minutes. It will be released in the USA on November 18th and in the UK on November 25th.

GLORIA BELL

I absolutely loved everything about Sebastian Leilo's remake of his Chilean female-led drama, GLORIA. Julianne Moore give a characteristically strong, charismatic, nuanced performance in the titular role - playing a character rarely seen on screen - a middle-aged woman who is sex positive and living every inch of her life to its fullest. I applaud the messages of this film - that you can be a strong woman with a full life, who doesn't need but is open to a sexually and emotionally fulfilling relationship - and that it's better to walk away from something that is second best. And I am in admiration of both Moore and her lover, played by John Turturro, for being vulnerable enough to show what sex is actually like in one's middle-age, and the complications of relationships with grown children.  The talent behind the lens is just as impressive. Sebastian Leilo has a sure measure of pace, balancing lighter moments of expressive freedom with darker more intimate moments of sadness and self-doubt. The score, by Matthew Herbert, is stunning, combing traditionally orchestrated music with phenomenal electronic almost 80s sci-fi synth moments, let alone the wonderful disco music that Gloria loses herself too.  Finally, the cinematography from Natasha Braier is marvellous in capturing both with its use of colour, light and framing, the different moods that Gloria goes through - whether strong, suffering, free or constrained. This really is a tour de force and deserves to be seen as widely as possible. 

GLORIA BELL is rated R and has a running time of 102 minutes. The film played Toronto 2018 and was released earlier this year in the USA. It's just about still on release in the UK in cinemas and is available on streaming services. 

SOMERS TOWN - gritty humour undone by schmaltzy product placement

I'm a big fan of Shane Meadows' films and SOMERS TOWN didn't disappoint. It's a charming, laugh-out-loud funny story about a teenage boy called Tomo who leaves his no-hope life in the Midlands for London. He doesn't make it far from the railway station he arrives in - loitering in Somers Town - the area between Kings Cross and Euston. Despite being mugged, having no money and no plans, Tomo manages to survive, and even to have some laughs, through sheer bare-faced cheek. He sort of adopts a shy Polish kid called Marek and together they pash on a hot French waitress and earn money through some dodgy deals with a local Del-Boy.

Thomas Turgoose, the star of THIS IS ENGLAND, has grown up a lot but retains a winning mix of vulnerability and cheekiness as Tomo. Piotr Jagiello is sweet as his Polish side-kick. Meadows deserves praise for being able to elicit such natural performances from relatively inexperienced actors. As I said before, the movie is very, very funny, mostly because of Tomo's adolescent boasting, but also because of Perry Benson's larger-than-life wheeler-dealer. SOMERS TOWN also has some fine dramatic moments - not least an honest conversation between a Polish father and son.

My only problem with the film is its sense of unreality - the sheer ridiculousness of the fact that this young kid ships up in Camden and is basically taken in by a series of kind-hearted people. Even young Tomo can hardly believe it, questioning whether he'll have to perform sexual favours for his keep. I could almost forgive this deliberate "happy-go-lucky" atmosphere as an artistic choice, if it weren't for the final five minutes, all in colour, which basically serve as a sickly sweet ad for Eurostar. Imagine how good this film would've been if they'd have finished it as the two kids have their conversation on the balcony, Tomo returns to his polishing and they agree to meet up later......

He's definitely an actor to watch. SOMERS TOWN played Berlin 2008 and is currently on release in the UK.