Random DVD Round-Up 2 - SEX AND THE CITY 2

I didn't hate SEX AND THE CITY 2 as much as I thought I would, but then again, my expectations were very low indeed. I'd never been a fan of the series. I didn't relate to a bunch of women defined by their conspicuous consumption of luxury goods or the apparent contradiction of wanting to be both sexually liberated AND pining for a rich husband. The show, and indeed the first movie, wanted to both have its cake and eat it, and was expressed with a vulgarity of tone, and shameless excess that seemed to undercut its wannabe-serious political agenda.

Fast forward to 2010 and the release of SEX AND THE CITY 2, and the franchise's crass vulgarity has been amped up even more than I thought possible, simply by transferring the four most egregiously consumerist girls in the US to the most egregiously consumerist nation on earth, the UAE. The resulting film feels like a 2 hour info-mercial advertising Abu Dhabi as a vacation resort just so long as you don't want kiss in public, and of course, conditional on you having $22,000 a night for a suite. The plot is the same-old bullshit we got on the TV show: privileged women whining about how tough life is. Miranda (Cynthia Nixon), the lawyer, is angry because her male boss dismisses her. Rather than deal with it maturely, she just quits. This is meant to be seen as a victory. Charlotte (Kristin Davis), having sweated spinal fluid to catch a rich husband and have two children, is tired and pissed off with being a mother, despite the fact that she has full-time help. Carrie (Sarah Jessica Parker) is angry her husband is, well, old, and wants to stay in, and when her book gets a bad review, kisses an ex- in a fit of pique. Her husband's reaction to this is just plain unbelievable. And finally, Kim Cattrall is eating hormones to stave off the menopause, and angry she can't fuck anyone she wants in public in a Muslim country.

Now, there are some moments when the movie feels vaguely interesting. I mean, it's nice to see women actually speaking openly about menopause and hot flashes. And yes, being a mother to small kids is hard. But the movie consistently fails to make itself relatable beyond this. There are few casual sentences referring to the awful economy, or congratulating mothers who survive without help, but when uttered by women in a $22,000 a night suite, it just feels condescending - as condescending as Carrie tipping her Indian butler so that he can fly home and visit his wife.

I guess it must sound like I'm criticising the movie less than criticising the lifestyle of the characters, but in a franchise that sells a lifestyle choice, I think that's fair game. But even if I bought into its lifestyle, would I like the movie? Nope. Because even on its own terms, it fails. The fashion is not fabulous but looks horrid. The women don't look wonderful in their middle age, but haggard and trying to hard. The shooting style is pedestrian and the direction workmanlike at best. And just what was that Liza Minelli song and dance number? Did they take her face and morph it onto a different body? It just looked plain weird.

SEX AND THE CITY 2 opened in summer 2010 and is now available to rent and buy.

DID YOU HEAR ABOUT THE MORGANS? is okay shock

Maybe I'm just in an unreasonably happy holiday mood, or maybe my expectations had been lowered by the generally pisspoor reviews, but I rather enjoyed DID YOU HEAR ABOUT THE MORGANS? It's the latest romantic comedy from writer-director Marc Lawrence, the man behind the phenomenally successful MISS CONGENIALITY and 2007's rather charming MUSIC AND LYRICS, also starring Hugh Grant. In DID YOU HEAR ABOUT THE MORGANS? Hugh Grant and Sarah Jessica Parker play two successful New Yorkers on the verge of divorce but forced into the witness protection programme together.

This is a rather ludicrous premise on which to hang a relationship drama, but perfectly in step with typically farcial rom-com set-ups (see THE PROPOSAL or FAILURE TO LAUNCH). And, as you can imagine, there are plenty of set pieces where the effete liberal New Yorkers come up against the cruder delights of country living. Naturally, there is a third act crisis which prompts a happy ending. There's plenty to object to here. The laziness of the derivative plot, for one. The reductive politics in which city dwellers are cynical ne'er-do-wells and country dwellers are the keepers of Real American Values, is another.

But hidden underneath all these lazy genre tropes is a rather engaging romantic drama in which two mature people talk through issues from real life - the way in which difficulty conceiving can put a relationship under pressure. I found myself actually routing for Sarah Jessica Parker and Hugh Grant. Moreover, many of Hugh Grant's lines are genuinely witty.

So, whatever the rest of the reviewers say, I had a good time with this film. Underneath all that predictable attempted screw-ball slapstick lies a rather sweet relationship drama.

DID YOU HEAR ABOUT THE MORGANS? is on release in the US, UK, Australia, France and Thailand. It opens next weekend in Argentina, Denmark, Germany, Greece, Portugal, Singapore, Switzerland, Austria, Spain and Sweden. It opens on January 20th in Egypt; on January 27th in Belgium, South Korea and Norway. It opens on February 5th in Brazil, Estonia and Finland; on February 11th in the Netherlands, Slovenia and Venezuela; on February 18th in Russia; on February 26th in Italy and Romania. It opens on March 5th in Poland and on March 12th in Japan.

SEX AND THE CITY THE MOVIE - and I quote, "same old horse-shit", bigger screen

My favourite line from all the reviews I've read of SEX AND THE CITY comes from Slant magazine. "The Sex and the City movie wouldn't be a Sex and the City movie without the horseshit—and at two-and-a-half hours, there's lots of it here." All I can say is, I concur!

I was never a fan of the series. And all these reviews by men saying "I'm not the target audience" are irritating me because they seem to be letting the movie off the hook. What they're saying is, "I don't get it, but maybe her in-doors will, so maybe I should pretend the jury's still out when in reality the verdict's in and it's the chair."

I didn't like SEX AND THE CITY because it didn't ring true. I couldn't relate. I have a bunch of female friends and we were/are single, high-earners who love shopping and hope for love, but "Love and Labels" did not make up the entirety of our lives. The TV show was praised for being candid and "pushing the envelope" about how female sexuality and friendship were presented on screen. Maybe so, but I still found the result reductionist and vaguely insulting. So the movie is just more of the same. More vapid consumerism, more unrealistic relationships and more adolescent humour and generally intolerable teenage behaviour. Presumably, fans of the TV series will be in heaven.

A few words about the translation of SEX AND THE CITY from the small screen to the big screen. In terms of substance the movie feels like a bunch of episodes strung together. The characters haven't really developed at all - same old problems with the possible exception of Miranda who gets a half-decent grown-up storyline. The film-makers try to make the product more politically correct by including an African-American character. Frankly this late inclusion in such a minor role merely highlights, rather than addresses, the show's narrow focus. Finally, there has been no attempt to change the look of the movie for the big screen. Fans will presumably approve. I, however, wished they'd actually bothered to exploit the extra possibilities the big screen gives you.

SEX AND THE CITY is released this weekend in the UK, US, Austria, France, Germany, Israel, Singapore, Iceland, Italy and Turkey. It opens on the weekend of June 6th in Egypt, Belgium, Australia, Greece, Hong Kong, Portugal, South Korea, Brazil, Denmark, Estonia, Finland, Latvia, Lithuania and Norway. It opens on June 12th in Argentina and the Netherlands; on June 20th in Russia, Spain, Taiwan and Sweden; on June 17th in Chile; on June 27th in Venezuela and on August 2nd in Japan.

SMART PEOPLE - indie by numbers

SMART PEOPLE is another one of those indie dramas about a dysfunctional family bickering with each other. Dennis Quaid plays a worn out, self-absorbed academic, grieving for his wife. He lavishes praises on his lonely, sharp-tongued daughter (Ellen Page) but ignores his teenage son (Ashton Holmes.) Two people enter the professor's life, resulting into a sort of adult coming-of-age movie. The first is his emotionally intelligent but practically hopeless adopted brother (Thomas Haden Church.) The second is his former student turned doctor turned girlfriend (Sarah Jessica Parker.)

SMART PEOPLE contains some decent performances, some emotional truths, and some truly brilliantly one-liners, ususally delivered by the slacker adopted brother. But it is strangely lacking in heft. The dialogue is never scabrous enough; the emotional exchanges never highly charged enough. The plot often feels contrived and for heaven's sake, will someone tell Sarah Jessica Parker that emergency doctors don't wander round with loose perfectly waved hair, pencil skirts and high heels. And while they're at it, they should probably warn Ellen Page against getting typecast as the young girl who flirts with older men.

SMART PEOPLE SMART PEOPLE played Sundance 2008 and opened in the US and Australia earlier this year. It is currently on release in the UK and Russia. It opens in New Zealand on July 31st and in France on September 10th.

FAILURE TO LAUNCH - I smell something bad

FAILURE TO LAUNCH is a slick, big-budget romantic-comedy starring the highly buff Matthew McConaughey and Sex and the City's Sarah Jessica Parker. Sadly, the newbie director and writers fail to deliver a movie that lives up to the names on the posters. The big problem is that the central premise of the movie is really rather sleazy and has no place in a straightforward romantic-comedy. McConaughey plays a thirty-something man's man who loves the ladies but still lives with his mum and dad. His parents are exasperated and resort to hiring Sarah Jessica-Parker's character. SJP plays a chick whu dates men who have "failed to launch" from the family home. She suckers them into feeling good about themselves and then gently dumps them when they are confident enough to leave home. The movie is at pains to point out that the SJP character doesn't actually sleep with the men, but I just thought the whole thing was ridiculous and icky. But even if you can swallow the central premise, the movie still suffers from a wildly uneven tone. At some points, it goes for broad physical comedy: there's a running gag involving McConaughey getting bitten by wild animals. Then it flips into trying to be serious - as when we learn WHY McC. is so scared of commitment. Finally, it goes for deadpan black humour. This is by far the most successful strand of the movie and centres around the glorious Zooey Deschanel, who plays SJP's room-mate. Deschanel has real comic ability and serves to show up how bad the rest of the movie is. Overall, despite the likeability of all the main actors, FAILURE TO LAUNCH is definitely one to avoid.

FAILURE TO LAUNCH is already on release in the US, France, Germany and Austria. It opens in the UK next week.

THE FAMILY STONE - great cast, shame about the script

THE FAMILY STONE is a film that is less than the sum of its parts. Despite having a great cast and moments of compelling drama and kooky comedy, it never manages to combine these elements into a coherent and involving whole. The movie is an out-and-out sentimental Christmas family movie, that has ambitions beyond its stature. But first, let's start with the comedy set-up. Dermot Mulroney plays a stand-up guy who comes from the most politically correct family on the face of the planet. Mama Stone, played by the luminous Diane Keaton, has a whole bunch of kids, including a deaf gay son who is dating a coloured guy; a stoner son who edits documentary film (Luke Wilson); the aforementioned stand-up guy; a pregnant "rock of the family" daughter; and another kooky irritable daughter played by Rachel McAdams. On the Christmas in question Dermot Mulroney brings home his uptight Wall Street girlfriend played by Sarah Jessica Parker. The family - who pride themselves on being non-judgmental, liberal, anything-goes people - immediately turn on her. They are judgmental and mean, forcing her to flee to the local motel and call her sister as back up. The kid sister, played by Claire Danes, fits in fine, of course, creating even more tension. The film plays out from here in a fairly predictable manner. Opposites attract, pot saves the day, and by the end of the movie no real lessons have been learned. People are still as judgmental. For me, the real failing of the movie is its inability to handle the marked changes in tone of the dramatic and comedic moments. We go through scenes where the Sarah Jessica Parker character really bares her soul and her insecurities. To SJP's credit, I really felt for her. And then, a blink of an eye later, we are meant to laugh at slapstick comedy which includes, I kid you not, people slipping up on spilt pudding. Some films can get away with this change of mood and are the stronger for it. But here, it simply feels clumsy. So, all in all, a deeply disappointing movie. What a waste of a great cast!

THE FAMILY STONE went on release in the UK, US, France and Germany on the 15th December 2005. It goes on release in France on the 28th December 2005.