DRINKING BUDDIES - LFF 2013 - Day Eleven

There's a lot to like in Joe Swanberg's relationship comedy, DRINKING BUDDIES.  He moves on from the narcissistic, solipsistic mumble core stylings of UNCLE KENT to something more mainstream and accessible, but manages to keep the emotional authenticity of his previous work.

Olivia Wilde is fantastic as Kate, a fun-loving, rather fragile girl who works at a micro brewery with her best friend Luke (Jake Johnson of THE NEW GIRL fame).  They have one of those close friendships that verges into sexual chemistry and we feel sure that they're with the wrong people.  This is compounded when we realise that their respective others, played by Anna Kendrick and Ron Livingston, are also actually pretty well paired, and should probably get together.  

In any other movie, this would descend into a cheesy play by numbers rom-com in which Chris breaking up with Kate and Kate rebound sleeping with a sleazy coworker would spark Luke into jealously realising that he should be with Kate all along.  But this isn't that movie. Instead, in a number of closely observed scenes, we get Jill go on vacation, leaving Kate and Luke to become closer but also to be exposed to what each of them really up is and wants.  As an audience, we realise that Kate really isn't as attractive as all that.  She quite immature, maybe developing an unhealthy dependence on alcohol.  And while Luke seems like a similarly fun loving guy, he's actually a lot more grown up.  In fact, the seemingly perfect couple if-only-they-knew-it, well, isn't. 

The joy of this film is seeing the largely improvised and naturalistic way in which these relationships evolve and unravel.  I love that it subverts and depends the classic rom-co characters and tropes.  And I love that I genuinely liked the characters and wanted to see what happened to them.  Kudos to all involved. 

DRINKING BUDDIES has a running time of 90 minutes and is rated R in the USA.

DRINKING BUDDIES played SXSW and London 2013. It opened earlier this year in the USA.  It opens in the UK and Ireland on November 1st. 

Random DVD Round-Up 1 - COUPLES RETREAT

COUPLE'S RETREAT is a truly piss-poor alleged comedy starring Vince Vaughn, Jason Bateman, Jon Favreau and Faizon Love as middle-aged men frustrated by middle-aged family life. So they and their wives (Malin Akerman, Kristen Bell, Kristin Davis, Kali Hawk)) take off for a tropical island and a weekend of intense marital therapy run by a spectacularly mis-cast Jean Reno. I just don't know where to begin in terms of reviewing it. It's a movie so devoid of comedic inspiration that it simply falls flat in every scene. I didn't care about any of the characters. I didn't find any of the verbal or physical humour funny. And I wanted the film to end. Quickly. Save yourself the trouble and rent Favreau and Vaughn's genius early pic, SWINGERS instead, and remember a time when they were able to create genuinely sympathetic characters and laugh-out-loud funny lines.

COUPLES RETREAT was released in autumn 2010 and is now available to rent and own.

Random DVD Round-Up 2 - SEX AND THE CITY 2

I didn't hate SEX AND THE CITY 2 as much as I thought I would, but then again, my expectations were very low indeed. I'd never been a fan of the series. I didn't relate to a bunch of women defined by their conspicuous consumption of luxury goods or the apparent contradiction of wanting to be both sexually liberated AND pining for a rich husband. The show, and indeed the first movie, wanted to both have its cake and eat it, and was expressed with a vulgarity of tone, and shameless excess that seemed to undercut its wannabe-serious political agenda.

Fast forward to 2010 and the release of SEX AND THE CITY 2, and the franchise's crass vulgarity has been amped up even more than I thought possible, simply by transferring the four most egregiously consumerist girls in the US to the most egregiously consumerist nation on earth, the UAE. The resulting film feels like a 2 hour info-mercial advertising Abu Dhabi as a vacation resort just so long as you don't want kiss in public, and of course, conditional on you having $22,000 a night for a suite. The plot is the same-old bullshit we got on the TV show: privileged women whining about how tough life is. Miranda (Cynthia Nixon), the lawyer, is angry because her male boss dismisses her. Rather than deal with it maturely, she just quits. This is meant to be seen as a victory. Charlotte (Kristin Davis), having sweated spinal fluid to catch a rich husband and have two children, is tired and pissed off with being a mother, despite the fact that she has full-time help. Carrie (Sarah Jessica Parker) is angry her husband is, well, old, and wants to stay in, and when her book gets a bad review, kisses an ex- in a fit of pique. Her husband's reaction to this is just plain unbelievable. And finally, Kim Cattrall is eating hormones to stave off the menopause, and angry she can't fuck anyone she wants in public in a Muslim country.

Now, there are some moments when the movie feels vaguely interesting. I mean, it's nice to see women actually speaking openly about menopause and hot flashes. And yes, being a mother to small kids is hard. But the movie consistently fails to make itself relatable beyond this. There are few casual sentences referring to the awful economy, or congratulating mothers who survive without help, but when uttered by women in a $22,000 a night suite, it just feels condescending - as condescending as Carrie tipping her Indian butler so that he can fly home and visit his wife.

I guess it must sound like I'm criticising the movie less than criticising the lifestyle of the characters, but in a franchise that sells a lifestyle choice, I think that's fair game. But even if I bought into its lifestyle, would I like the movie? Nope. Because even on its own terms, it fails. The fashion is not fabulous but looks horrid. The women don't look wonderful in their middle age, but haggard and trying to hard. The shooting style is pedestrian and the direction workmanlike at best. And just what was that Liza Minelli song and dance number? Did they take her face and morph it onto a different body? It just looked plain weird.

SEX AND THE CITY 2 opened in summer 2010 and is now available to rent and buy.

SEX AND THE CITY THE MOVIE - and I quote, "same old horse-shit", bigger screen

My favourite line from all the reviews I've read of SEX AND THE CITY comes from Slant magazine. "The Sex and the City movie wouldn't be a Sex and the City movie without the horseshit—and at two-and-a-half hours, there's lots of it here." All I can say is, I concur!

I was never a fan of the series. And all these reviews by men saying "I'm not the target audience" are irritating me because they seem to be letting the movie off the hook. What they're saying is, "I don't get it, but maybe her in-doors will, so maybe I should pretend the jury's still out when in reality the verdict's in and it's the chair."

I didn't like SEX AND THE CITY because it didn't ring true. I couldn't relate. I have a bunch of female friends and we were/are single, high-earners who love shopping and hope for love, but "Love and Labels" did not make up the entirety of our lives. The TV show was praised for being candid and "pushing the envelope" about how female sexuality and friendship were presented on screen. Maybe so, but I still found the result reductionist and vaguely insulting. So the movie is just more of the same. More vapid consumerism, more unrealistic relationships and more adolescent humour and generally intolerable teenage behaviour. Presumably, fans of the TV series will be in heaven.

A few words about the translation of SEX AND THE CITY from the small screen to the big screen. In terms of substance the movie feels like a bunch of episodes strung together. The characters haven't really developed at all - same old problems with the possible exception of Miranda who gets a half-decent grown-up storyline. The film-makers try to make the product more politically correct by including an African-American character. Frankly this late inclusion in such a minor role merely highlights, rather than addresses, the show's narrow focus. Finally, there has been no attempt to change the look of the movie for the big screen. Fans will presumably approve. I, however, wished they'd actually bothered to exploit the extra possibilities the big screen gives you.

SEX AND THE CITY is released this weekend in the UK, US, Austria, France, Germany, Israel, Singapore, Iceland, Italy and Turkey. It opens on the weekend of June 6th in Egypt, Belgium, Australia, Greece, Hong Kong, Portugal, South Korea, Brazil, Denmark, Estonia, Finland, Latvia, Lithuania and Norway. It opens on June 12th in Argentina and the Netherlands; on June 20th in Russia, Spain, Taiwan and Sweden; on June 17th in Chile; on June 27th in Venezuela and on August 2nd in Japan.