Showing posts with label christian petzold. Show all posts
Showing posts with label christian petzold. Show all posts

Monday, August 28, 2023

AFIRE*


Man, I just did not get AFIRE. Is it an environmental satire about how we are all obsessed with our own mundanity while the world - literally - burns down on the edge of our peripheral vision?  Is it a satire on the narcissism of so-called creatives who underestimate the intellectual capacity of those around them?  Is it meant to be a deep and meaningful character and relationship study? Or is it meant to be a dark comedy? After an hour and forty minutes I neither know nor care. I found this film to be slow, dull, containing no characters that I found empathetic nor any plot "twists" that were compelling.  My mind drifted. I wanted to eat a blue smurf-flavoured ice cream.

The film centres on Leon (Thomas Schubert), a schlubby self-important author struggling with his second book. His friend Felix (Langston Uibel) invites him to his mum's seaside vacation house but the car breaks down en route and when they get there they find another couple also in residence. For the first thirty minutes of the film we see them from a distance but hear them loudly fucking in the next door bedroom, much to the voyeuristic Leon's frustration.  After that, Nadja (Paula Beer) comes more clearly into focus, firstly as an ice-cream seller and then as someone who is more than an intellectual and emotional match for Leon. But the character is really short-changed in this pisspoor film - a mere plot device to show up Leon's vacuity.

AFIRE has a running time of 102 minutes and is rated 12A. It played Berlin where it won the Silver Bear. It was released in the USA last month and in the UK last Friday.

Tuesday, September 25, 2007

YELLA - I see wet people!

YELLA is a tightly constructed, austere German thrller co-written and directed by Christian Petzold. Fans have praised its glacial atmosphere, stark framing and convincing central performance by Nina Hoss as the eponymous heroine. They have also forced profound meaning onto a slight film. Some say it's a metaphor for the corruption of West German capitalism. Yella makes her journey into moral ambiguity when she leaves her loving father in a rural East German town. She is undone in an anonymous business park in Hannover.

While I appreciate the creation of a sinister atmosphere, I wasn't entirely convinced by this film. The parable about the journey from East to West will be lost on anyone who does not have an intimate knowledge of German geography. And the spare script has its longeurs and improbabilities and a denouement that is derivative, predictable and entirely unsatisfying.

YELLA played Berlin 2007 where Nina Hoss won the Silver Bear. It is currently on release in the UK.