MALEFICENT 3D

I fell in love with MALEFICENT despite its obvious weaknesses. Maybe it's because I'm one of those kids who was terrified by the Disney villain but also kind of wanted to be her! She was wicked and sarcastic and marvelous in the way that made Alan Rickman a scene stealer in the Kevin Costner ROBIN HOOD - that supercilious British aristocratic charm that makes Americans fawn over Dame Maggie Smith in Downton Abbey. That, and I'm a sucker for a gothic fairy tale - and a subversive Angela Carter investigation of the sexual motives at their heart.

So in this movie, per Linda Woolverton's (BEAUTY AND THE BEAST) script, Maleficent was once a wonderfully romantic innocent child who happened to fall in love with an ambitious man who used her cruelly, physically and violently to gain the throne. Mutilated and bent on revenge she curses the new King Stefan's daughter Aurora and he descends into paranoia, sending his daughter off to a cottage in a forest guarded by three good fairies. But in another twist, they are self-absorbed and incompetent, and it's only Maleficent's at first-reluctant, and then eager, care that keeps the girl safe. In a wonderful irony, the girl herself is not insensible of this care, calling Maleficent her "fairy godmother", and as all of us who have seen FROZEN know, true love's kiss can be recast - this time as a maternal rather than sibling bond.

Am I spoiling the ending? No, I think it's telegraphed widely beforehand.  As soon as we see the perfectly cast, almost fey Elle Fanning as Aurora gushing over her fairy godmother, the brilliantly comedically uncomfortable Maleficent, we know where the story is heading.  And perhaps this is the place to point out how marvelous Angelina Jolie in the role. Of course, her looks are perfect for Maleficent, and enhanced further by super-sharp prosthetic cheekbones.  But it's her rarely scene comedic acting that seals the deal  - the bemusement and discomfort when the cute baby Aurora (played her real-life daughter) asks to be picked up, or the patronising amusement as she prevents the baby from wandering off a cliff.  The supporting cast is similarly well appointed. I loved Sam Riley as Maleficent's soft-hearted "evil henchman" Diaval - and I'm sort there's fanfic being written about the two of them as we speak.  But how lovely to see Juno Temple as one of the three good fairies too.

So kudos to all involved - for Linda Woolverton's well-thought out script, to Peter Stromberg for his direction which is 9/10th amazing production design, to the charismatic Jolie and the believable relationship with Fanning's Aurora. If there's any false note it's perhaps Sharlto Copley's almost method-insane Scottish King Stefan, curiously grim and out of step with the almost self-consciously arch delivery of Angelina Jolie. He seemed to be in quite another film.

MALEFICENT has a running time of 97 minutes and is rated PG. MALEFICENT went on global release on May 28th. It will open in Japan on July 5th and in Bangladesh on August 6th.

Random DVD Round-Up 3 - DATE NIGHT

There's something almost impressive about the fact that director Shawn Levy has taken two of the funniest comedians working today - Steve Carell and Tina Fey - and create a romantic comedy so utterly joyless and inauthentic. I honestly would not have believed it possible. This movie misses the mark so badly it's like the PEARL HARBOUR of romantic-comedies. Fey and Carell play a happily married but tired couple whose regular date night turns into a caper movie when they are mistaken for a couple that's blackmailing a local politician. Chased by organised crime and some bent coppers, it just so handily happens that Mrs Suburbs was a realtor to a super-buff Mission Impossible type special agent. Whenever I get mistakenly chased down by gansters, I am definitely going to ensure that I too can call on my friendly neighbourhood James Bond type. Anyways, there are shenanigans, and the couple turn out to be far more plucky and ingenious than is plausible, and it all ends with Tina Fey in a strip club. The only reason you might possibly watch this flick is for the James Franco-Mila Kunis scene in which they show the grown-ups how to do it. Presumably you can just you-tube that clip.

DATE NIGHT was released in April 2010. It is available on DVD and on iTunes.

Additional tags: Jimmi Simpson, Josh Klausner, Leighton Meester

APPALOOSA - a great character piece marred by a blowsy broad

APPALOOSA is two movies spliced together. The first is a beautifully acted, patiently told, character piece set in the American West some time after the Civil War. Ed Harris and Viggo Mortensen play two peace-enforcers to hire. They find themselves in a small towm called Appaloosa, hired by the townsfolk to defend their businesses and their women against Jeremy Irons' lawless ranch-hands. It's a savage, unforgiving place. Irons' dessicated amoral rancher shoots sherriffs at will (and rather bizarrely, seems to be affecting an accent somewhat similar to Daniel Day-Lewis in THERE WILL BE BLOOD). The two peace enforcers inflict tyranny on the town in exchange for peace. Both men have a sort of languid, homespun charm, but Ed Harris' character in particular is prone to moments of range.

The charm of APPALOOSA is to show the quiet beats between the moments of violence and set-piece stand-offs. The two law-men have a comfortable relationship reminiscent of an old marriage, and Viggo Mortensen's character may be visiting the local whore, but he is evidently in love with Ed Harris' character in a way that may step over the line from hero-worship to homo-eroticism. I also love the fact that these very real, complex characters are situated in a perfectly authentic world. The little details in the production design are evocative - from the leather patch on Viggo's jacket where he rests his gun, to the way in which the law-men have tanned faces up to the line where their hats shade the top of their foreheads.

Unfortunately, this movie is marred by a serious mis-step of casting and direction with the pivotal role of Mrs Alison French. She's meant to be a conspicuously elegant, seductive woman who blows the two men off course and leaves them stumbling for words to describe her actions. Renee Zellwegger plays Mrs French in strokes and colours so broad that it looks like she's in a different movie from Ed Harris and Viggo Mortensen. It would be easy to criticise Zellwegger for these choices, and I do. She's not a great actress, but she IS a good actress, and if she had had any senstitivity to the rest of the cast, she would have modulated herself accordingly. However, I also have to lay some of the blame at the door of second-time director Ed Harris, who presumably didn't give her the right direction.

This is all a tremendous shame, because APPALOOSA is evidently a labour of love for Ed Harris, and he goes so far toward creating a classic modern Western only to have Zellwegger's character blotch the paper.

APPALOOSA played Toronto 2008 and is currently on release in the US, Singapore and UK. It goes on release next week in France and Norway and opens in Argentina on December 4th.

JUST MY LUCK - In which we are asked to believe that McFly are the hottest rock band in the universe

JUST MY LUCK is a weak romantic-comedy vehicle for Lindsay Lohan. The set-up is simple. Li-Lo plays a girl who has literally lived a charmed life. One day, at a masquerade ball, she kisses a guy who has been cursed with bad luck all his life. With that kiss, their fortunes change. The guy - played by Chris Pine (Anne Hathaway's squeeze in Princess Diaries 2) - becomes super lucky and Li-Lo becomes a loser. The movie then predictably follows the two of them as they fall in love with each other. That's it. Now, I'm not against the odd goof-ball teen flick that relies on an unbelievable premise. After all, I really liked She's The Man. But JUST MY LUCK fails on a number of levels. The movie contains not one single laugh, and depite being directed by the same guy who gave us Miss Congeniality, entirely fails to deliver a similar feel-good factor. I don't think the actors are at fault here - although the movie is stocked with more than its fair share of plastic OC rejects. Rather the mechanical grinding through the formula gives the whole production a rather sterile feel. The soul-less quality is magnified by the fact that the flick is a shameless merchandising tool for everything from the Hard Rock cafe to Tide washing up powder. And the biggest marketing ploy of all involves making Li-Lo's boyfriend the manager of, I kid you not, McFly. Frankly, it wasn't the fortune-changing-through-kissing plot line that had me incredulous so much as being asked to believe that McFly were about to kick off the greatest British invasion since The Beatles.

To summarise: you should not watch this movie unless you are a fan of McFly. In which case, you deserve what you get.

JUST MY LUCK is on release in the US, Australia and UK. It hits France on July 5th 2006, and Germany and Austria on August 17th.