BELIEVE

BELIEVE is a shamelessly earnest and indulgent underdog sports story starring Brian Cox as the legendary real life manager of Manchester United. The script from Massimiliano Durante and Carmelo Pennisi imagines what would have happened if Busby had decided to coach a young bunch of working class kids in a local tournament, just out of love of the game and the memory of his young players so tragically killed in the Munich air crash.  

Although much of the film is derivative (working class lads up against posh boys - a mum who doesn't want her kid to play - the conflict between school and sport) I really admire the director David Scheinmann (THE WEST WITTERING AFFAIR) for going into some of the darker material. Although done in almost mocking, caricatured manner, this is a film that shows the class divisions in England, with Georgie (Jack Smith) trying to pass an exam to get into a grammar school rightly seen as potentially life-changing.  I also liked the sentimental but elegantly handled way in which the Munich air crash is handled in a film that is, after all, a PG rated drama. 

Brian Cox is predictably great as Busby but I was surprised at Toby Jones' comic facility and Natasha McElhone's northern accent. But the real star is Jack Smith as the star player Georgie who handles the tough emotional stuff as well as being a good lippy kid.  Could've done without the added contrived drama of a last minute flat tire though.

BELIEVE was released last year in Austria and is currently on release in the UK.

MOON - the first sci-fi flick to make it to my Best Of list

MOON is the assured debut feature from writer-director Duncan Jones, featuring a stand-out performance from Sam Rockwell as an astronaut suffering from acute loneliness.

Jones wastes no time in establishing the conceit with a pitch-perfect faux-TV-spot. In some indeterminate future, Earth has solved all its energy problems by mining Helium-3 from the dark side of the moon. The operation is mostly automated, but there's a poor schmuck overseer on a three-year contract (Rockwell). In the final weeks before returning to his wife and daughter he suffers an accident and starts, apparently, hallucinating an alternative, clean-cut super-functional Sam. Is his sub-conscious creating a play-mate? Or is their something more sinister afoot?

Showing just how much you can do with a limited budget and some miniature models, Jones perfectly evokes the shabby-futuristic lunar base, complete with HAL-like omniscient robot Gerty (voiced by Kevin Spacey). I particularly liked the naff touch of having him show emotions through emoticons! But this is truly Rockwell's movie, with assured performances in two very different characters - Sam at the start of the mission - a neat, ambitious, temperamental man: and Sam at the end of the mission - mellowed, messy, apathetic. And while this is, basically, a serious, ideas-based movie, there are moments of humour, or perhaps better put, weirdness, as the two characters face off over a ping-pong table on the road to friendship. The real trick is that by the end of the film, I felt completely emotionally invested in the fate of Sam Bell, and was on the edge of my seat for the final twenty minutes.

I am not a big sci-fi fan, and I can imagine some purists getting cheesed off at the lack of zero-gravity and whatnot. But I think you can take a more high-level view that this movie is sci-fi at its purest. Rather than getting bogged down in super-impressive CGI shots and action sequences, you have sci-fi as it was meant to be - exploring ideas. You also get a film that is steeped in the sci-fi classics and has subtle nods to them while also creating something new and interesting. I can't wait to see what Jones does next, and I'm hoping that the movie's indie status and limited release doesn't bar Rockwell from some acting gongs.

MOON played Sundance, Tribeca and Edinburgh 2009. It opened earlier this summer in the US and Canada. It is currently on release in the UK. It opens in Russia on September 17th; in Australia on October 8th; in the Netherlands on October 15th and in Spain on October 23rd.