LIVE FROM NEW YORK! - BFI London Film Festival 2015

LIVE FROM NEW YORK! is the directorial debut of Bao Nguyen, chronicling the history of the iconic comedy skit-show Saturday Night Live. He does so in 80 minutes so it would be easy to put this film's superficiality down to its brief run-time but I suspect it has more to do with the director having bought Lorne Michael's kool-aid, wanting to diminish the non-Lorne years and not having the guts to seriously interrogate the charges of institutionalised sexism and racism. And I don't by that "where was the black Friend" argument.  SNL was meant to be different - cutting edge radical. This is what skewers the director's use of hyperbolic opening music - Gil Scott Heron's The Revolution Will Not Be Televised - this may have been true in the 70s and 80s but for the past fifteen years it feels as though the cutting edge of radical satire has lived on South Park or The Daily Show. Let's be honest, isn't SNL mostly harmless by now? Isn't everything that Julia Louis-Dreyfus says about the 80s true now, where SNL was desperately trying to keep pace with pop culture rather than setting the pace?

Random DVD Round-Up - WHIP IT

WHIP IT is a pretty conventional, but charming, coming-of-age flick directed by Drew Barrymore and starring JUNO's Ellen Page. It feels old fashioned - in the way the sports movies and coming-of-age dramas used to be, before they got satirised in movies like DODGEBALL. The kitsch feel stems partly from the deliberately down-at-heel suburban production design, and from the fact that the heroine is torn between her mother's obsession with beauty pageants and her own attraction to Roller Derby - and both seem anachronistic. But it also stems a little from the straightforward narrative arc, the fact that the happy ending is never really in doubt and the rather simplistic shooting style. The fact that this is Barrymore's debut directorial feature shows in her rather unimaginative handling of the Roller Derby scenes in particular.

Ellen Page plays seventeen-year old, suburban, Bliss Cavendar. Her mother, seeing it as a route out of town, makes her enter beauty pageants where she has to extol traditional feminine virtues. But Bliss decides to rebel by lying about her age and joining a Roller Derby league. She meets tough women with real lives, learns to be aggressive, and gets her first boyfriend. But, as in the way of these three act coming of age flick (see WAYNE'S WORLD, even), Bliss ends up pissing off everyone who loves her - her best friend, her mum, her dad, and potentially her team. Of course, in the movies, as opposed to real life, when you have a bratty teen "coming of age", everyone is remarkably forgiving and loving.

So, all in all, you have to ask what really is the point of WHIP IT? A movie so familiar it feels like a US version of BEND IT LIKE BECKHAM subbing roller debry for soccer.

Additional tags: Robert Yeoman, Dylan Tichenor, The Section Quartet, Juliette Lewis, Andrew Wilson, Landon Pigg, Alia Shawkat, Zoe Bell, Ari Graynor, Carlo Alban, Daniel Stern, Shauna Cross

WHIP IT played Toronto 2009 and was released in 2009/2010. It is available on DVD and on iTunes.

PERFECT CATCH - perfect date movie

The first time I saw FEVER PITCH, marketed in the UK as PERFECT CATCH, I hated it. I thought it was a glossy, vapid, Hollywood chick-flick, lacking intelligence and wit. However, I was WRONG. It wasn't my fault: I had been a complete sucker. The marketing posters had sold me a remake of the British film of the same name, based on the novel by Nick Hornby. So, I had gone into the cinema expecting a movie about a middle-aged teacher struggling to come to terms with life as an adult: balancing his complicated relationship with his father and his first serious relationship with his fanatical devotional to Arsenal football club. Both the novel and the original film were trememdous: they were genuinely funny, and genuinely insightful about modern life and relationships. The movie even looked grey and gritty, and in case we were ever in any doubt, we even had the Hillsborough disaster to ground us. By contrast, the Hollywood remake recasts the story in America and instead of a Gooners fan, we have Jimmy Fallon as a Boston Redsocks fan, falling in love with career woman played by Drew Barrymore.

The key to enjoying the remake is to completely empty your brain of any fragment of the source material: to take it as a stand-alone, original movie. Even better, ignore the marketing campaign that tells you it is a romantic COMEDY. Yes, yes, Drew Barrymore is a decent comedic actress and Jimmy Fallon (TAXI aside) is a decent stand-up comedian, but that is not what this film is about. If you look for belly-laughs you'll be disappointed. But if you adjust your expectations as instructed, what you'll get is a really sweet date movie, perfectly cast, that IS schmaltzy and glossy, but that gives you a nice warm feeling inside. Aaah! I love Asian ultra-violence as much as the next girl but, every now and then, it's lovely to inhabit a world where chicks don't mind when their boyfriends watch Match of the Day, and guys don't care when their girlfriends work late, and your team wins the The Ashes, I mean World Series.

PERFECT CATCH/FEVER PITCH is now available on DVD.