SEX TAPE

Jake Kasdan directed BAD TEACHER starring Jason Segel and Cameron Diaz and it was a genuinely wickedly funny, subversive movie. So why is SEX TAPE, directed by and starring the same actors, so painfully unfunny?  I mean, seriously, I did not laugh once for the entire running time of the film. I didn't even do that inward smile thing. It's not that it was even awkward, what will all the sex-talk.  It was just banal and so at pains to be earnest and good-hearted.  It also features the most absurdly in-your-face and annoying product placement. 

The plot is simple. Diaz and Segel play a happily married couple who realise that they just don't have enough good sex. So one night they get drunk and make a sex tape which the husband is meant to erase from his iPad but doesn't. Worse, it gets synched to all the people who he have his old iPads too, because in the most unbelievably contrived plot necessity, he's a DJ who gives people iPads but doesn't let them resynch them to their own accounts because that would rob them off his awesome playlists.   

Obviously if the film were funnier, the threadbare premise would bother us less. But it isn't witty and the physical humour is just juvenile.  This is most evident in the extended scene where the couple go to the house of the businessman who is on the verge of buying Diaz' website. He espouses family value but is a cokehead.  So while Diaz snorts coke to distract him (how we laughed! not) Segel runs through his mansion chased by a vicious guard-dog. I mean, really?

The whole film is basically just a banal and dull watch where sex is the preserve of well-meaning earnest couples and even pornographers have hearts.  Pass the sick-bucket.

SEX TAPE has a running time of 94 minutes and is rated R.  The movie is on global release.

THE WAY WAY BACK

You can listen a podcast review of THE WAY WAY BACK here, or subscribe to Bina007 Movie Reviews in iTunes.

THE WAY WAY BACK is a curious film - often lacking in pace, often obvious in its plot choices, with a style of humour that barely breaks in to laugh-out-loud comedy.  And yet... and yet... there's something about its loveable quirky homespun style that is memorable and enjoyable.

The movie is a classic teenage coming-of-age story set in a contemporary east coast holiday resort that has a ramshackle nostalgic early 80s air.  The teenager in question is a kid called Duncan (Liam James) whose vulnerable and easily led mother Pam (Toni Colette) is dating a passive-aggressive philandering slick-talker called Trent (Steve Carell). Hang-dog, ignored or insulted, he escapes the rather reckless and juvenile adults who are supposed to be supervising him, and wends his way to a ageing, crusty, old school waterpark, where he finds a new kind of family - the kind that boosts your confidence, brings you new opportunities and broadens your horizons.  The employees are led by the frustratingly youthful cool boss Owen (Sam Rockwell).  

There's a lot to love in this tale and it's usually in the unspoken margins of the film.  The on-off romance between Owen and Caitlin (Maya Rudolph) that becomes apparent, in all its nuances, in the spaces between the script.  The joy of seeing Steve Carell playing a properly nasty character.  The nostalgic feel of the production design.  And there's just enough dark backing to the mirror to keep the film sharp.  The holiday escapism of the adults really does have damaging consequences - both for them and their kids.  And there's a real truth to the desperation and vulnerability of the divorced women - played for laughs by a deliciously blowsy drunk Allison Janney, and dramatically by Toni Colette.  So, for all its predictability, kudos to directors Nat Axon and Jim Rash (who wrote THE DESCENDENTS) for pulling it together. 

THE WAY WAY BACK has a running time of 103 minutes and is rated PG-13.

THE WAY WAY BACK played Sundance 2013 and was released earlier this year in the USA, Canada, Sweden, Denmark, Norway, Israel, New Zealand, Finland, the UK and Ireland. It opens on September 12th in Singapore, on October 2nd in Belgium, on October 3rd in the Netherlands, on October 24th in Germany, on November 15th in Spain, on November 21st in Argentina, on November 27th in France and on December 5th in Italy.

PAIN & GAIN

You can listen to a podcast review of this movie here, or subscribe to Bina007 Movie Reviews in iTunes.

It feels like we're in the midst of a run of movies about people whose sense of reality and entitlement is so out of whack that they they think they have the right to the fruits of the American Dream without, you know, actually working for it - people so ingrained with popular culture that their only frame of reference are movie heists and getaways.  In this latest instalment  we get Marky Mark and The Rock in PAIN & GAIN - a movie based on the true story of three bodybuilders who decided to kidnap, torture and extort one rich clients at their local gym. The selling point of the flick is meant to be the dark comedy of seeing these movie-obsessed idiots mess up again and again, and succeed - when they succeed - almost by accident.

Man, this movie started off so well - full of gonzo energy and whacky humour.  I loved Mark Wahlberg's intensity and his character Daniel Lugo's earnest stupidity.  And I thought this was arguably Dwayne Johnson's finest performance as the ex-con turned evangelical Christian turned reluctant kidnapper, Paul Doyle. I even liked the usually rather anonymous Anthony Mackie as their sidekick, Adrian Doorball, whose steroid abuse had led to impotence, but also his marriage to a naive nurse played by a more muted Rebel Wilson.  These guys had real camaraderie and were so incompetent I was willing them to succeed.  And of course, in real life as in the movie, they were counting on the straight up douchey-ness of their victim (Tony Shalhoub) to make sure the police wouldn't get involved.

But the movie goes downhill in its second halve.  As the body count ticks up our whacky kidnappers become less likeable and - a real problem for this film - the screenwriters Christopher Markus and Stephen McFeely - just can't sustain the hyper-ludicrous gonzo humour that this movie promised in its opening act.  Barring a truly surreal and memorable scene of the Rock barbecuing body parts while trying to chat up the neighbours, the second half was a real police procedural drag, that even Ed Harris' super-stylish private investigator couldn't save.  We needed to see more of the Rock - his transformation from evangelist to coke-head was superb - his best performance on record - and less of the procedural.  In general, this movie needed to get way more surreal - way more Nic Cage crazy.

So, a tale of two halves, but for all that, PAIN & GAIN is without doubt Michael Bay's best film since BAD BOYS. (Admittedly the benchmark isn't high.)  I far prefer Bay in his lower budget (I won't insult indie film-makers by saying low budget) movies, where he's more focussed on buddy-comedy and character than high-octane humourless misogynistic fare.  You can tell he's having fun with this flick. And kudos also to his cinematographer Ben Seresin (WORLD WAR Z) who uses a mix of DV and celluloid to create an amped-up hyper-colourful 1990s Miami, that takes us from the glossy mansions to derelict warehouses and manages to capture the coked-up craziness of a kidnap gone bad.  There's a particular sequence in a suburban home where his fluid style and use of body cameras is absolutely breathtaking. 

PAIN & GAIN has a running time of 129 minutes and is rated R in the USA and 15 in the UK.

PAIN & GAIN was released earlier this year in the USA, Bahrain, Egypt, Kuwait, Lebanon, Russia, USA, Canada, Croatia, Bulgaria, Estonia, Romania, Slovenia, Georgia, Mexico, Bosnia, Serbia, Iceland, Lithuania, Norway, Macedonia, Turkey and Italy. It opened earlier this month in Hungary, Singapore, Belgium, Australia, New Zealand, Finland, Austria, Germany, Israel, the Netherlands and Switzerland, Portugal, Thailand, Brazil and South Africa.  The movie opens on August 30th in Ireland, Poland, Spain and the UK; on September 5th in Denmark; on September 6th in Colombia, Panama and Taiwan; on September 11th in France; on September 12th in Chile and Peru; on September 13th in Cyprus and Sweden; and on September 19th in Argentina.

SUNDANCE LONDON 2013 - Day 3 - IN A WORLD...

You can listen to a podcast review of this film below, or subscribe to Bina007 Movie Reviews podcast directly in iTunes here.

Remember those early 80s action thrillers starring the current cast of THE EXPENDABLES? They always had trailers with some deep-voiced uber-masculine bloke who sounded a bit like the Moviefone man - the trailers spoofed so brilliantly in TROPIC THUNDER. "In a world without hope, emerged a hero..." "In a time of sorrow, emerged a leader..." "In a land beyond the sea, came a man who would rise...." Well, in actress Lake Bell's first feature film, she creates a fascinating and hilarious depiction of the tight-knit micro-industry in Hollywood, where voice-over artists compete to be the "In a world..." guy, and where a girl doesn't really have a chance at all.

Bell stars a well as Carol Soloman, the somewhat flaky daughter of the legendary voice over artist Sam Soto (Frank Melamed), who as the movie opens is given her "Girls" moment and kicked out of his house to make way for his far far younger squeeze, Jamie (Alexandra Holden). Relegated by the industry, but more hurtfully by her father, to doing voice coaching, Carol gets a lucky break when the rising star Gustav Warner (Ken Marino) gets a cold. These leads to a new relationship with production assistant Louis (Demetri Martin), and the marital crisis of her sister, with whom Carol's forced to move in.

What I love about this film is that it does what all good movies do - it creates a fully realised and fascinating world that we didn't know existed before and populates it with characters that are interesting, engaging and have stylised but real relationships. I truly believed that Carol and her sister Dani loved each other - they are so easy in each other's physical space. And I truly believed in the easy camaraderie between Louis and his colleagues at the studio. Even the classic rom-com meet-cute montage date scene seemed casual and unforced. All this speaks to the wonderfully rich art design and the intimate warm-toned photography from Seamus Tierney (LIBERAL ARTS).

In front of the camera, we have a fine cast that are perfectly attuned to Bell's intelligently funny script. The verbal comedy - the play on accents - the deadpan quick responses - it's all really laugh out loud funny. Who's going to forget Bell's Russian Obe-Wan in a hurry? Or Carol's brother-in-law deadpanning that he put his diaphragm in? The little moments of physical comedy are also superb. There's an absolutely classic moment where Carol extricates herself from her partner the morning after the night before that involves a bra that's beautifully observed. And while the characters of Sam and Jamie are undoubtedly caricatures, the actors still inhabit them in such a way as to make us really care about his final emotional breakthrough, and to applaud the fact that she has more depth than we'd thought.

And this brings me to the greatest triumph of all - that Bell manages to craft a very funny rom-com that also has a serious message about women in business and how the way we speak affects how we're perceived, and the opportunities we're given. This makes it sound ponderous and earnest and a drag, but the elegance of the writing means that while it's always there, woven into the cloth, we never feel its weight. 

IN A WORLD... has a running time of 90 minutes. It played Sundance 2013, where Lake Bell won the Waldo Salt Screenwriting Award, and Sundance London 2013, but does not yet have a commercial release date.

SEEKING A FRIEND FOR THE END OF THE WORLD

SEEKING A FRIEND FOR THE END OF THE WORLD is a boring, tonally uneven, miscast mess. Which is a shame, because writer/director Lorene Scafaria's previous flick, NICK AND NORAH'S INFINITE PLAYLIST was a genuinely funny, sweet rom-com with an awesome soundtrack.  Maybe it was helped by it's simple conceit - two kids go on a road trip to see a band play a secret gig.  By contrast, SEEKING A FRIEND is hamstrung with a really bizarre conceit that the director clealru doesn't know how to handle: the world is going to end in three days when an asteroid hits the Earth.  

The rom-com implication of the end of the world is that Dodge (Steve Carrell) goes on a road trip to find his college sweetheart, aided by his neighbour, Manic Pixie Dreamgirl Penny (Keira Knightley). Naturally, despite the fact that he's a boring insurance salesman and she's, well, a Manic Pixie Dreamgirl, he's going to fall in love with her en route.  This storyline doesn't work. Prim and proper Keira Knightley can't sell Manic Pixieness and she has no chemistry with Carrell, who basically looks like her father. Plus, the whole kooky rom-com vibe is totally offset by the disturbing background of looting and survivalists. I mean, can we really root for Penny when she abandons her boyfriend (Adam Brody) to a crowd of violent looters?

SEEKING A FRIEND FOR THE END OF THE WORLD is currently on release in the USA, Canada, Croatia, Slovenia, Israel, Ireland, Poland and the UK. It opens on July 19th in Russia, July 26th in Hungary, August 2nd in Singapore, August 8th in France, Greece, the Netherlands and Iceland, August 17th in Lithuania, August 20th in Bulgaria, August 23rd in Australia and Estonia, August 31st in Brazil, September 6th in Hong Kong, September 14th in Mexico and Turkey, September 20th in Germany, September 27th in Portugal, October 18th in Chile and November 7th in the Philippines.

The film is rated R and the running time is 101 minutes.

Random DVD Round-Up 5 - HOT TUB TIME MACHINE

HOT TUB TIME MACHINE really isn't as funny as it should be given it's awesome title. It's like the SNAKES ON A PLANE of comedy.

The conceit is that a bunch of schlubby frustrated middle-aged friends go back to the ski resort where they had an awesome batchelor ski-trip. They drink too much, wind up naked in the hot tub, and somehow get zapped back in time to the original holiday. Cue lots of early 80s nostalgia - images of Ronald Reagan and ALF (remember ALF!) on TV, eighties rock on the airwaves, big hair and day-glo ski-suits. It's time for the men to undo passed mistakes and work out what really went down regarding the parentage of the teenager they have in tow.

Problem is, the eighties jokes/costumes are mined for a pretty crude kind of comedy, but nowhere is the humour as brilliantly crude as in, say, THE HANGOVER or SOMETHING ABOUT MARY. Rather, the writing seems to go for the lowest common denominator. Unsurprising to find out the movie was directed by Steve Pink (Justin Long comedy ACCEPTED) and screenwriters Josh Heald (debut), Sean Anders and John Morris (SEX DRIVE). This isn't sophisticated. Which is fine. Not every comedy needs to be STRANGELOVE. But I guess what I found even more disappointing was the complete lack of chemistry between the lead actors - they didn't feel like best friends - and the fact that John Cusack - typically so charming - was basically not at all interesting in this flick.

So, basically, a big let-down and really not worth the time, even on DVD.

HOT TUB TIME MACHINE opened in spring/summer 2010 and is now available on DVD/iTunes.

HAROLD AND KUMAR ESCAPE FROM GUANTANEMO BAY - everyone's a little bit racist!

Roldy is an up-tight hard-working Korean-American investment banker. Kumar is his Indian-American pot-smoking med-school-dodging best-friend. The movie picks up from the end of the sleeper hit HAROLD AND KUMAR GO TO WHITECASTLE, in which our two heroes got high, got the munchies and went in search of the perfect hamburger. In this movie they head to Amsterdam so that Harold can hook up with the hot chick in his apartment building - Maria. But en route they get accused of attempting to hijack a plane, when all they were really trying to do was get high. They're shipped to Gitmo, quickly escape, and then travel across the American South in search of a presidential pardon and, for Kumar, true love!

All the stuff we loved in the first movie is here in the sequel. Harold and Kumar (John Cho and Kal Penn) have great comic timing and there's another great cameo from Neil Patrick Harris aka Doogie Howser MD. Some of the stuff we hated in the first movie also persists - the random shagging of the big bag of weed dream sequence, for one. But underneath the gross out humour and the ludicrous plot, HAROLD AND KUMAR ESCAPE FROM GUANTANEMO BAY has an actual, proper, well thought-out message!

The comedy genius that was Tom Lehrer once wrote a song called "National Brotherhood Week"....

"Oh, the Protestants hate the Catholics / And the Catholics hate the Protestants / And the Hindus hate the Moslems / And everybody hates the Jews

But during National Brotherhood Week / National Brotherhood WeekIt's National / Everyone-Smile-At-One-Another-hood Week / Be nice to people who / Are inferior to you / It's only for a week, so have no fear / Be grateful that it doesn't last all year!"

And that's basically the message of HAROLD AND KUMAR ESCAPE FROM GUANTANEMO BAY. It sucks if you're Korean or Indian, so people assume you're a Communist or a terrorist. But then again, it sucks if you're from rural America and people assume you're a provincial dolt with in-bred kids. Even George W Bush gets a break: we assume he's an asshole but maybe he's just another kid pressured into joining the family business?!

So there we have it. H&K tell it like it is: everyone's a little bit racist. Now, who'd have thought such a popcorn movie would dare make such a political statement?!

HAROLD AND KUMAR ESCAPE FROM GUANTANEMO BAY opened in April in Singapore, Canada and the USA. It opened in Iceland in May and in Australia in August.

WHAT HAPPENS IN VEGAS - you'd better make sure you're sitting down for this one....

So I was expecting to really hate the new Cameron Diaz-Ashton Kutcher rom-com WHATEVER HAPPENS IN VEGAS. For a start, I really hate films that have plots so contrived they make Jordan's tits look natural. We're meant to believe that someone as beautiful as Cameron Diaz would seriously be insecure in her relationship with a schlub investment wanker, and that he would have the temerity to dump her. Further, we're meant to believe that Cameron's character - an up-tight successful Wall St trader - would seriously go to Vegas, get drunk, and get married to a newly unemployed slob played by Ashton Kutcher. Once again, we're meant to believe that despite his good looks and magentic personality, Kutcher's character really has depth, and insecurities, because his daddy doesn't give him any credit. Awwwww!

Yes, yes, I was basically on the verge of vomit for the first twenty minutes of this film. But them something amazing happened. Cameron and Ashton are just so dang charming and goofy that I couldn't help laughing - and the movie is just so dang sweet that I couldn't help being swept up by it!

So, in the most shocking result since Pakistan and India were both knocked out in the group stages of the 2007 Cricket World Cup, Bina007 gives two enthusiastic thumbs up to WHAT HAPPENS IN VEGAS.

And yes, I know, I am already standing in the corner, thinking very carefull about what I've just done......

WHAT HAPPENS IN VEGAS is on global release.