Showing posts with label brooklyn decker. Show all posts
Showing posts with label brooklyn decker. Show all posts

Monday, June 01, 2015

STRETCH

STRETCH is a super-low budget film shot in fast gonzo style and, despite an all-star cast, has gone to straight to video. This is a shame because it's really quite funny and works well under its own momentum.  It's directed by Joe Carnahan who directed the awesome Liam Neeson drama, THE GREY, as well as that awful A-TEAM reboot. I'm pleased to say that this movie definitely belongs with THE GREY as one of Carnahan's better movies.   

Patrick Wilson stars as a failed actor turned limo driver and recovering addict called Stretch who's still paying off the debts he incurred in his former life.  This day in the life starts when his creditors demand that he repay his $6k debt that night, he blows his first pick-up (a hilarious David Hasselhof playing himself) and tries to jack another high-paying client from his limo company's big rival, The Jovi.  This involves some convoluted events including Ray Liotta giving him a gun and a badge and a heavily disguised and hilariously gonzo Chris Pine playing a ultra-rich playboy who promises to pay off Stretch's debt if he in turn goes to pick up a suitcase full of money and some drugs.  Meanwhile, Stretch encounters his ex-girlfriend and sets up a blind date. Oh yes, and did I tell you that Stretch has a heavy voice-over throughout the movie and sees visions of his dead ex-colleague played by Ed Helms?

If all this sounds ridiculous it is.  But the movie does what all ridiculous movies needs to do - it has utter conviction in what it's doing and never winks at the camera, even when Hasselhof is on screen.  The result is a film that may  not be credible but which, against all odds, has us rooting for the protagonist and carries us along on a wave of fast dialogue, outlandish characters and crazy situations.

STRETCH has a running time of 94 minutes and is rated R. STRETCH is a straight to video movie that is available on streaming services. 

Sunday, April 15, 2012

BATTLESHIP - Surprisingly good!

I appreciate the irony of me telling you to ignore the critics - at least the paid ones - because BATTLESHIP is a lot of fun. And I say this as someone who couldn't watch TRANSFORMERS and generally doesn't do mindless action summer blockbusters.  I can see why the critics are being sniffy. BATTLESHIP is, no pun intended, an easy target to hit.  It has more than it's fair share of ludicrous action sequences and clichéd dialogue.  Its plot is a pick'n'mix from BATTLESTAR GALACTICA, INDEPENDENCE DAY, STAR WARS and TERMINATOR - utterly predictable from start to finish.  And worst of all, it stunt-casts a Sports Illustrated model (Brooklyn Decker) and a pop star (Rihanna). It's also pretty long.

But forget all that. Here's the deal.  NASA has sent  out signals to an earth-like planet that have resulted in an early-invasion alien task-force targeting a satellite station in Hawaii, putting up a forcefield that keeps out the US navy.  Luckily, BSG-stylee, a few ships are trapped inside the field, and it falls to them to destroy the alien force, eventually decommissioning an old battleship complete with vets on board.  Part of this involves tracking the alien ships, battleship game style, by trying to hit grid co-ordinates. Meanwhile, on the island, a geek, a girlfriend and a war-vet come together to knock on the communication satellite via which the aliens are due to bring in the rest of the invasion force.

There are a lot of battles and fights and whatnot and the vis-effects are all top-notch.  But what makes the film a success is that it takes its time establishing character, so that when it gets to the battles we actually care about the outcome and the character development they engender. The movie starts with a clean-cut Naval officer Stone Hopper (Alexander Skarsgard) witnessing his love-able loser brother Alex's (Taylor Kitsch) attempt to woo the daughter of an Admiral (Brooklyn Decker).  The intro is genuinely funny, just as the opening scenes with Kitsch as John Carter trying to break jail were really funny.  And what this movie does right is that it recognises that Kitsch has a Harrison Ford like loveable-rogue quality and rather than squashing that (as in John Carter) it actually lets it run throughout the movie.  All the way through we have him wise-cracking even as he becomes more mature and takes on command of the ship. 

Moreover, whenever, the dialogue gets too hammy, you have another character commenting on that. A lot of critics have criticised Kitsch's character using the line "I have a bad feeling about this" after a destroyer has pretty much been shot to shit. But I think they're missing the fun that the screenwriters are having with the genre they're in. How else can  you explain having Hamish Linklater play the science geek Cal looking basically like a young George Lucas?  And a couple of times he even explicitly says things like "who talks like that?!" This is a movie that internalises its own critique - it knows it has a mockingly self-indulgent attitude toward the genre conventions its playing with.

What's interesting is that this self-indulgent, gentle mockery sits alongside a very earnest, patriotic streak that runs throughout the film.  Early on, we have a scene where Korean War vets are saluted.  They play a key role later on.  And real-life vet Gregory D Gadson plays a pivotal role in the island storyline.  I like the fact that alongside all the action sequence nonsense, the movie looks us straight in the eye and shows us the true cost of war - men with their limbs shot off.  And it doesn't do this is in a sensational way - it just quietly makes its point.

So for me, BATTLESHIP is pretty much the perfect summer blockbuster. It's a mindless action movie that actually has a lot of intelligence - combining respect for vets with a conciliatory attitude towards the US' historic enemies.  It deals in cliché, but does so in a funny and self-aware manner. And we finally get a movie that understands that Taylor Kitsch is best used in a role which shows off his easy charm.  I'm all about this movie and look forward to the sequel.

BATTLESHIP was released on April 12th in Belgium, France, Hong Kong, Indonesia, Ireland, Norway, Sweden, Taiwan, the UK, Australia, Denmark, Germany, Malaysia, New Zealand, the Philippines, Singapore, Thailand, Finland, Iceland, India, Italy, Japan, Spain and Vietnam. It opens on April 19th in Hungary, the Czech Republic, Greece, the Netherlands, Portugal, Russia, Bulgaria, Estonia, Lithuania, Poland, Romania and Turkey.  It opens on May 11th in Brazil and Colombia; on May 18th in Canada, Paraguay and the USA.

Saturday, February 12, 2011

JUST GO WITH IT

JUST GO WITH IT is an Adam Sandler vehicle directed by his long-standing collaborator, Dennis Dugan (HAPPY GILMORE, BIG DADDY, GROWN UPS).  It's based on a French farce, which means that you have to willingly suspend your disbelief as layer after layer of ridiculousness takes place. I don't mind a good farce, but one tolerates the nonsense plot in exchange for consistent raucous laughter. Sadly, JUST GO WITH IT  doesn't deliver. In fact, barring a few sly plastic surgery jokes, the movie is by turns dull, mawkish and plain embarrassing.

Adam Sandler plays an emotionally scarred plastic surgeon who avoids real relationships by shagging young birds while wearing a wedding ring. When he finally meets a girl he actually likes (Mrs Andy Roddic - Brooklyn Decker) he has to magic up an actual ex-wife, and persuades dowdy co-worker (Jennifer Aniston looking about as un-dowdy as, well, Jennifer Aniston) to pretend. Of course, when the girlfriend twigs that Jen has kids, she wants to meet them too - cue a massive extended family holiday in Hawaii.  The pretence gets even more complex when Aniston's character bumps into her super-successful college bete-noire (Nicole Kidman) and wants to pretend she's still married to Sandler, much to the confusion of his current girlfriend.

The problem is that a) Aniston doesn't look dowdy so her transformation into hot chick lacks punch b) Sandler's character is meant to realise that he should grow up and date a real women rather than a super-model. Except that he ends up realising the grown woman is for him because she turns out to look like a super-model - having your cake and eating it much?! c) the scene where Aniston and Sandler tell each other what they like about each other made me want to vomit d) the scene where Kidman gets on stage and tries to out-shine Aniston's character was probably the most embarrassingly unfunny thing I'll see on screen all year. 

JUST GO WITH IT is on release in the US, UK, Egypt, Israel, Singapore, the UAE, Canada, Iceland, Ireland and Mexico. It opens later in February in the Philippines, Estonia, Sweden, Denmark, Germany, Finland, Norway and Spain. It opens in March in Brazil, Croatia, Greece, Hungary, Kazakhstan, France, Belarus, Russia, Bulgaria, Turkey, Australia, Malaysia and Peru. It opens in April in Colombia, Italy, Lithuania, Poland, Belgium, Portugal, India, the Netherlands, Panama, Venezuela and Argentina. It opens on July 1st in Paraguay.