Beating an admittedly low bar, WONDER WOMAN is unquestionably the best movie in the DC franchise. It has some of the darkness of BATMAN VS SUPERMAN but never feels pretentious or portentous; and in the place of SUICIDE SQUADS' maddeningly shifting tone and offensive objectification of Harley Quinn we have a movie with a straightforward compelling story and a courageous and often subtle take on modern sexual and racial politics. The result is a film that's both highly enjoyable and yet deeply meaningful - a long overdue strong heroine in a universe full of macho posturers.
The movie opens in contemporary France with Batman reaching out to Diana/Wonder Woman (Gal Gadot), but it's essentially a long flashback and origins story, told in live action and with beautifully designed animation and the most seamless use of CGI. We see the young child growing up on an island of Amazonian woman - fierce warriors created by Zeus to protect humanity from the corrupting influence of his son Aries, the god of war. Diana herself is moulded from clay by her mother Queen Hippolyta (Connie Nielsen - GLADIATOR), and made live by Zeus himself. Accordingly, she is herself a god, sister to Aries, although this fact seems to escape her logical notice. The Amazons have been holed up on a magical island while World War One is raging around them, until US spy Steve Trevor (Chris Pine - STAR TREK reboot) crash lands in their midst. A brave Diana then returns with him to wartime Europe, supposedly to bring an end to war by killing Aries, whom she believes is German General Ludendorff (Danny Huston.)


