STRANDED (2007) *****

In 1972 a charter plane carrying a Chilean college rugby team crashed into the Andes when the pilot made a navigational error amidst a heavy snowstorm. These were rich medical students who lived by the sea and had, many of them, never seen snow before. The atmosphere on board before the crash was one of high jinks and festive jubilation. This ended abruptly with the crash. The pilots soon died, the back of the plane had been sheered off, there was very little food, and the radio told them the rescue had been called off. Faced with certain death, this group of Catholic college boys were rallied by two things - the leadership of their team captain who rationed their food with discipline and fairness. And then the profound decision to cross the taboo of cannibalism in order to survive. For some, this was a challenging but rational decision - these were men of medical science after all. But for others, with a deep Catholic faith, it was a sin that could damn them, and it needed to be justified in terms of an act of consuming the Eucharist. 

Gonzalo Arijon's documentary, made 35 years after the accident, is a triumph of film-making. He has access to many of the survivors and their family members and reconstructs the events through their testimony and some recreations. They are candid about their emotions at the time and in retrospect. We hear grown men describe almost dying - slowly through starvation - and suddenly when an avalanche buries them alive. We see the pain on their faces and in their voices when they discuss the need to eat their friends.  We see the deep care taken to respect the dead, and to be honest with the rescuers for the sake of the families.

The result is a film that is by turns moving and dramatic.  Despite knowing the outline of the story I was again and again taken aback by the men's candid insights and resilience. Truly this is a story of the importance of friendship, camaraderie and the willingness to survive.  I was left with nothing but admiration for the men.

STRANDED has a running time of 130 minutes. It played Sundance 2008 and can be viewed in full on YouTube.

THE TWO POPES - BFI London Film Festival 2019 - Day Seven

I realise that all reviews are subjective reactions, but this will be even moreso than normal. I can't pretend to review a film about the two living Popes without referencing my own complicated history with the Catholic Church and deep feelings about both characters. What I can say is that director Fernando Meirelles (CITY OF GOD) and writer Anthony McCarten (DARKEST HOUR) have created a movie of rare compassion and good humour. The only criticism one might make is in the asymmetry of its interrogation - more of which later.

As the film opens, we see the death of John Paul II and the election of Benedictus XVI aka the old Cardinal Ratzinger.  We see this in brilliant visual-kinetic form, with quick cutting and sumptuous production design taking us into the theatre of the College of Cardinals and their ancient rituals.  It's an election fought between doctrinaires and reformers, and the conservatives win. Ratzinger is depicted then and throughout as vain, power-hungry, in love with the trappings of his office. He is German - so comes from the rich heart of the Catholic world.  His rival, the future Francis I, is a reformer, modest by nature, from the periphery of Catholicism - the poverty of rural Argentina.

We quickly move Benedictus to his moment of crisis. The Church is beset by scandals over the Vatican Bank, and most heinously the child sex abuse scandal.  It was Ratzinger's role in covering this up, in his role prior to being Pope, that made me cry when he was chosen.  He struck me as more concerned to save the reputation of the Church than to protect innocent children. And then of course he shocked us by announcing his retirement!  Not entirely unprecedented but shocking all the same.

This decision, and his alleged conversations with his chosen successor, form the meat of the film.  I have no idea if the two men met on such terms, or if Ratzinger ever had a change of heart that made him advocate for a reformer. I severely doubt it. But as presented, this is a deeply moving relationship.  At first, Ratzinger keeps his motives to himself, and keeps Francis at a distance, literally backing away from a hug.  But as the conversations develop we suddenly realise that we are moving into the sacrament of confession, mutually performed by the two priests.

It is posited that Francis is motivated by penance - for his collaboration with the totalitarian regime in Argentina when head of the Jesuit church there.  After this he has a change of heart, of conscience, is stripped of his power, and becomes a liberation theologist in the poorest parts of Argentina.  From conservative to quasi Marxist is quite the leap.  As Ratzinger so eloquently puts it, Francis must accept the mercy he believes the Church should embody.  He is absolved.  In this part of the story, told movingly in flashback by a simply marvellous Jonathan Pryce, I was equally impressed by Juan Minujin as his younger self. 

We then move to Ratzinger's confession. I am not sure what Mereilles' motivation was, but here is where we get the asymmetric interrogation. While we go through the emotional grind with Francis, we barely here Ratzinger's confession. The film almost skips over his handling of the child sex abuse scandal as if too appalled to go there or maybe - just maybe - too respectful of the office and its previous holder to accuse a Pope?  He too is absolved, and seems relieved. This is far less satisfying.

We then move to the film's final act.  Francis is elected, eschews the "cabaret" and sets about changing the Church. He speaks to climate change, reaches out to the poor, to refugees in Lampadusa.  And we are led to believe that his friendship continues with a comedy watch of the world cup final between Germany and Argentina at the end.

Overall, I found this to be a profoundly moving film, especially as regards the depiction of Francis.  When he is elected and moves to the balcony to make his first ever speech as Pope, I had tears in my eyes.  And yes, I know that Ratzinger was given an easy ride, but I would like to think that everyone is capable of redemption, forgiveness, and peace, and if this indeed why and how the previous Pope retired it brings me genuine happiness. I just wish I could believe it. 

TWO POPES has a running time of 126 minutes and is rated PG-13.  It played Telluride, Toronto and London 2019. It will have a limited theatrical release on November 27th before being released on Netflix on December 20th.

BLINDNESS - doesn't earn the right to include such graphic footage

BLINDNESS is an elongated metaphor for the loneliness people feel in modern society. It shows us a world, very much like our own, where people are essentially self-interested and "blind" to the feelings of others. This manifests itself in a strange plague that turns everyone blind, except for a Doctor's wife (Julianne Moore). The blind are herded into prisons, where savagery takes over. Gael Garcia Bernal's character establishes himself as a tyrant. Woman are forced to submit to rape in order to survive.

The rape scenes are, as they should be, hard to watch. I have no truck with this in principle. One of the best movies I've ever scene is Gaspar Noe's IRREVERSIBLE, which features one of the most graphic and unendurable rape scenes in film. The difference is that IRREVERSIBLE earned the right to show that scene by placing it in context and showing how it affected all concerned. It was a crucial part of a brilliant film. By contrast, BLINDNESS never really works as a film.  I didn;t engage with characters - there was no real plot - or at least, I didn't understand why characters took the decisions they did, so that the plot seemed implausible - and worst of all, the "big idea" is rather obvious.  That the director, Fernando Mireilles feels it necessary to hit us over the head with it us is simply unfortunate. It's simply a rather patronising, obvious, pedagogical exercise. 

BLINDNESS played Cannes and Toronto 2008 and was released earlier this year in Brazil, the US, Belgium, France, Greece, Mexico, Chile, Germany, Peru, Singapore, Panama, Argentina, Israel, Portugal, South Korea, Finland, the Netherlands, Russia, the UK and Japan. It opens in Venezuela on December 19th and in Italy on March 6th.