Showing posts with label christopher meloni. Show all posts
Showing posts with label christopher meloni. Show all posts

Thursday, October 16, 2014

WHITE BIRD IN A BLIZZARD - LFF14 - Day Nine


WHITE BIRD IN A BLIIZZARD is the latest Gregg Araki movie after his brilliantly crazy over-the-top half-disastrous KABOOM which played the London Film Festival back in 2010. This movie seems far tamer and more contained - is equally hit and miss - but as ever contains just enough surprising good stuff to keep you in your seat.

The film plays as a kind of did-anyone-do-anything turned whodunit. As it opens, we’re in late eighties suburbia and Kat (Shailene Woodley) seems like a remarkably well-adjusted confident girl even as her depressed mother (a typically deliciously unhinged Eva Green) goes missing. Kat’s assigned a therapist and whatnot but seems utterly unfazed by her mother’s disappearance, using it as an opportunity to bang the hot cop assigned to the case. Fast forward a couple of years and she’s at college, and still looks really well adjusted. Until she goes home and everyone else seems to be telling her that they told her something was odd about her mum’s disappearance, only she was in denial. And so we work our way back through the events of the disappearance until we see Kat accept how deluded she was.

As a mystery thriller, the movie doesn’t work particularly well, with at least one major plot hole. It isn’t suspenseful, although I suppose part of the point is how Kat isn’t suspicious - hence the title. But what Araki does well is showing with a casual intimacy relationships between teenagers and young college students.  He talks about sex without flinching or judging and it's a pleasure to see Shailene Woodley break out of her far more conventional goodie two-shoes heroine roles to play a far more self-absorbed equivocal and sexually confident character.

WHITE BIRD IN A BLIZZARD has a running time of 90 minutes and is rated R.  The movie played Sundance and London 2014.  It opened earlier this year in Brazil and France. It opens in the USA on October 24th, in Iceland on November 7th, in Belgium on November 12th and in the Netherlands on November 20th.

Monday, October 13, 2008

NIGHTS IN RODANTHE - schmaltz - top quality - but schmaltz all the same

Unmitigated, manipulative schmaltz. An emotioanally repressed surgeon and a voluble divorcee fall in love on a stormy night in a ludicrously post-card perfect beach-front hotel. They are prevented from making a new and idyllic life together by a lazy plot point that seems a little sadistic and random. There's no prickly emotional drama (as in AS GOOD AS IT GETS). The emotional transformations are a little too pat. I detest this sort of melodramatic bilge, even when, as in this case, it's actually pretty well acted by Richard Gere and Diane Lane in the main roles and Scott Glen and James Franco in support. Real weepies make you cry uncontrollably because you're wrapped up in the story- rather than tugging self-consciously on your heart-strings.

NIGHTS IN RODANTHE is on release in the US, Brazil, Japan, Argentina, Brazil, Mexico, Iceland and the UK. It opens next weekend in Germany, Russia, Singapore and Austria. It opens on October 24th in the Philippines, Norway and Spain. It opens on November 6th in Australia; on November 13th in Egypt, the Netherlands and Portugal and on November 28th in Venezuela.