DAWN OF THE PLANET OF THE APES

DAWN OF THE PLANET OF THE APES is a handsome, earnest if somewhat hamfisted sci-fi action movie that dazzles visually but grates emotionally.  

Five years after the events of the reboot, Caesar (Andy Serkis), the genetically modified intelligent ape has founded a colony and a family in the forests outside of San Francisco.  His original owner (James Franco) is presumed dead from the deadly Simian Virus that has reduced mankind to small isolated survivor groups of the genetically immune.  The structure of the story is symmetrical - the apes and humans have to fashion a new society and decide how to engage with their enemy. In both camps we have the peaceful diplomats - wise Caesar and scientist Malcolm (Jason Clarke).  And in both camps we have the battle-scarred and distrustful war-mongerers - Koba (Toby Kebbell) and Dreyfus (Gary Oldman).  

Random DVD Round-Up 1 - AUGUST RUSH

A deeply sentimental film that could've been dreamt up by a Barbie obsessed 11 year-old. A wannabe rock musician (Rhys Meyers) and a cellist (Russell) share a nausea-inducing night of romantic twittering and, though coyly not shown, sex. Thereafter, evil forces (her controlling dad) split them up. The resulting baby is given up for adoption without the girl's knowledge. 10 years later, he's a musically gifted, irredeemably romantic boy (Highmore), on the lam from child services, playing music on the streets with Robin Williams' modern-day Fagin. Given that this is basically a modern-day, live-action fairy-tale, you can guess the ending.

AUGUST RUSH is actually a well-made, decently-performed film, and it doesn't hurt that Highmore, Rhys-Meyers and Russell always seem emotionally in the moment even when they have to utter dialogue that will have cynics rolling their eyes. I think the key test of whether you'll enjoy the film is whether you can get through Highmore's opening dialogue without wanting to slap the screenwriter. I have to say that I found the whole thing gauche but I can imagine it appealing to some people. Given that we live in a cynical world, directors trying to pull off a cheesy love story have to face the audience's in built objections head-on. That was the secret of the success of ENCHANTED.

AUGUST RUSH was released in Winter 2007/2008. It is now available on DVD.

Overlooked DVD of the month - THE UPSIDE OF ANGER

THE UPSIDE OF ANGER is an interesting and original adult drama. (I refrain from calling it a rom-com). It's original because writer-director Mike Binder dares to feature a romance between two mentally and physically out-of-shape middle-aged people. This means that a great "character" actress like Joan Allen can get a starring role as a woman whose husband has apparently left her for his younger PA. She hits the bottle pretty hard and starts an affair with a has-been baseball player called Denny (Kevin Costner). She also has four teenage daughters who have various issues. It's not one of those laugh-out loud movies, although it does contain some wry laughs. And it doesn't have the typical formulaic plot arc where the happy couple meet, argue, get back together. It moves at a patient pace and creates interesting characters. I just think it's lovely to see a mature film for a change, and in some ways, the less epic plot creates a more cohesive and successful film that Binder's later work, REIGN OVER ME.

THE UPSIDE OF ANGER played Sundance in 2005 and opened in the US that year. It didn't open in the UK until May 2007 and is available on DVD.

WAITRESS - bittersweet

WAITRESS is a beautifully imagined, bittersweet little movie that is likely appeal to fans of quirky humour and stylised photography - I'm thinking fans of NAPOLEON DYNAMITE and Wes Anderson flicks. Keri Russell plays a poor waitress called Jenna who is unhappily pregnant by her jealous, domineering husband. She resents her unborn child for throwing a spanner in the works of her plans to escape and enter a $25,000 Prize Pie Competition (she's an amazing pie-cook). So we see her work in a crappy old diner with a short-tempered manager and her two plucky, endearing best friends. The elder of these is married to a senile old fart and the younger is trying personal ads to find a husband. All three have to work out how to be happy.

Jenna finds an odd kind of companionship through an affair with her doctor (a surprisingly good, dead-pan performance from Nathan Fillion) and friendship with the old coot (Andy Griffith) that owns the diner. It's an admirably brave move on the part of Adrienne Shelly to have us empathise with a heroine who is, after all, an adulteress, and brutally honest about her lack of feeling toward her unborn child. But that's the real hook of this movie. Sure we have funny, quirky characters, but so do a lot of films in this genre. Similarly, a lot of these faux-naif movies have deliberate framing and stylised production design. But few have such a hard bitter edge and honesty to them.

The only real criticism I have is that the movie seems to lose this hard egde in the denouement. And while I like the fact that the heroine is emancipated from emotional dependence on men, it's still by virtue of a man that she is free. Still, WAITRESS remains a touching, genuinely funny, and genuinely fresh movie. It's tragic that we won't be able to see how Adrienne Shelly would have developed as a director.

WAITRESS played Sundance 2007 and went on release in the US in May. It is currently on release in the UK and opens in Australia and New Zealand on August 30th. It opens in France and Belgium on September 5th; in Estonia and Italy on September 21st; in Hungary, Russia, and Norway on September 28th and in Japan on November 17th.

MISSION IMPOSSIBLE III - There's a point at which boldness becomes stupidity

My mate Nik won't see this film because he does not want to enrich Tom Cruise and thence the Church of Scientology. I paraphrase. What he actually said was, "I’m not going to see MI3 on principle. The principle is that Tom Cruise is a cock." While I agree with Nik's sentiment, I have two words for him and all Tom-haters, and those two words are "air conditioning". Yes, summer is here my friends, and when the going gets hot, Bina hits the Odeon.

But enough of that and on with the show. MISSION IMPOSSIBLE III is a half-way decent summer blockbuster. Minimal plot, lots of cool stunts, above-average looking-people, great one-liners. Clearly, it is ridiculous. We are in a world where Tom Cruise can pass himself off as Philip Seymour Hoffman just by donning a latex mask! But that kind of bizarre lunacy is why I love this franchise so much. And, yes, Tom Cruise may seem a tad bizarre when you read the press, but to my mind no-one does mindless action better. We get the added bonus of 1980s nostalgia, most obviously in a scene where Tom rides a motorbike up to a plane on a runway, wearing aviator sunglasses at sunset. I could almost hear "Take my breath away" on the ether.

The plot is beside the point, but for tradition's sake, let me lay it out for you. Tom Cruise reprises his role as Ethan Hunt, a secret agent with a US Government Agency called the IMF. He has quit field work for a training role and a chance at a real life and marriage. However, when his protege is kidnapped, he returns to the field to track down the evil arms dealer, Owen Davian, and secure the return of the dangerous new weapon, codename Rabbit's Foot. And here is where the movie really gets into gear, because we are presented with a host of BADASSES, towit Philip Seymour Hoffman as the evil Davian, Laurence Fishburne as Tom/Ethan's boss and Ving Rhames as Tom/Ethan's side-kick Luther Stickell. These guys steal the show, not least when the hillariously out-of-shape Hoffman kicks the shit out of Cruise. Man oh man, all you Tom-Haters should pay-up just for that vicarious thrill.

But as much as I enjoyed the balls-out ridiculousness of this movie, there is a big problem every time it switches from action to romance. The movie jumps the shark about 35 minutes in thanks to the most stupid, cringe-worthy wedding scene since Four Weddings & A Funeral. Thereafter, every time we get Tom Cruise together with his on-screen wife, you feel the need to laugh out loud. In fact, a supposedly emotional reunion triggered the biggest unintended laugh in the theatre apart from the nauseatingly bad trailor for the latest Bond movie. I know that MI3 is not meant to be a high-fallutin' drama, and maybe I am being harsh to mark it down for making me laugh when I should have been feeling all loved up. But this stuff was so bad it really took me out of my happy, popcorn-tastic vibe. Good action flicks don't deviate from the task at hand. Bad ones have pretensions beyond their grasp. So, like Luther Stickell says, whereas some boldness is required with the stunts and visual effects, there is a point when bold manipulation of the genre becomes stupidity. MI3 may not fall over the line, but it comes too close for comfort.

MISSION IMPOSSIBLE III is on global release.