JUROR #2****

I am not exactly sure why JUROR #2 slipped from view and made poor returns but it is a good old-fashioned, handsomely made, twisty courtroom drama. 

Nicholas Hoult (NOSFERATU) stars as Justin - a recovering alcoholic with a heavily pregnant wife.  Early into a criminal trial for murder Justin realises that the man on the stand is innocent of brutally bludgeoning his partner because it was actually Justin who was returning from a bar, having nearly relapsed, and thought he had hit a deer. He did get out of the car to investigate, but not finding anything, drove off.

So what should he do? Should he confess, knowing his history of DUIs will make his testimony unreliable? Should he agitate in the jury room for a mistrial?  And what of the prosecutor (Toni Colette), who needs a conviction for her re-election campaign?

The film works as a backward-induced whodunnit. Is the jury going to figure out what really happened?  It also works as case study of moral code, much as SMALL THINGS LIKE THESE will. How far has Justin truly reformed? 

As I said, there's nothing particularly new or inventive here, but the script was clever and tight, the performances solid, and I was thoroughly engaged throughout. It's kind of amazing that nonagenarian Clint Eastwood can still churn these things out.  It feels like a film that we used to make in the 80s - intelligent smart thrillers for adults. Maybe that's why it couldn't find its place at the Box Office.

JUROR #2 is rated PG-13 and has a running time of 114 minutes. It was released last month.

TAG

TAG is a superb film - great slapstick and verbal wit - wonderful spoofs of action movies - and a really genuinely warm heart.  It's based on a Wall Street Journal article about a bunch of grown men who have been playing a game of tag together since they were kids. Now grown-ups, every May is hunting season, and while all of them have been tagged one time or another, Jeff (Jeremy Renner) hasn't. So they band together to try and take him out at his wedding, although they aren't complete dickheads, so they don't actually want to ruin his wedding doing it. It's absolutely glorious seeing Ed Helms, Jake Johnson and Jon Hamm take in pratfalls and stunts - they look like they're having the time of their life.  And Jeremy Renner is hilarious spoofing the super-serious inner monologue of an action hero trying to avoid being tagged. The visual humour has flair and the film just works! But what I really loved was the attempt to seriously interrogate where the line is between a fun game and obsessive competition, and what the value of friendship really is.  The ending of this film gives us a clear view on this, and it's deeply moving while never feeling cheap or manipulative.  I also love how the script - which could've just been another HANGOVER style bro comedy - managed to beef up the roles of the women - making them actual protagonists and deeply enmeshed in all of the moral questioning that occurs. Kudos to all involved!

TAG is rated R and has a running time of 100 minutes. It's available to rent and own. 

LAW ABIDING CITIZEN - tricksy but disposable

F Gary Gray, director of BE COOL and that godawful remake of THE ITALIAN JOB, returns to our screens after a four year hiatus with a perfectly entertaining but utterly disposable thriller. Gerard Butler stars as an apparently normal guy turned vigilante, taking revenge on a legal system that has failed his brutally murdered wife and child. I am forever amazed by Butler's ability to sustain moderate success in Hollywood despite his inability to pull off an American accent. Luckily, he's given back up by Jamie Foxx as the prosecuting attorney who agreed to the plea; Bruce McGill as the DA; and Viola Davis as perhaps the most impeccably dressed Mayor ever to appear on a movie screen. What sells the film are the sleek visuals; beautiful photography of Philadelphia's City Hall; the genuine chemistry between Butler and Foxx; and the rather satisfyingly tricksy mechanics of how the crimes have been pulled off. To my mind, the cool tricks offset the fact that we are being sold a "good guy goes psycho" movie in the first half of the film, but in fact, Butler's character was never an ordinary guy. Looking at the negatives, the least said about final five minutes - not to mention the movie's piss-poor attempt to examine the issues of doing right versus criminal justice, and the balance between civil liberty and national security - the better.

LAW ABIDING CITIZEN is on release in the US, Canada, Greece, Denmark, the Philippines, Israel, Russia, Brazil, Norway, the Czech Republic, Germany, Hong Kong, Ukraine and the UK. It opens next weekend in Hungary and Romania and on December 10th in the Netherlands, South Korea and Finland. It opens on January 28th in Australia.

CONFESSIONS OF A SHOPAHOLIC - superficial, derivative drivel

CONFESSIONS OF A SHOPAHOLIC epitomises everything that is most invidious about the romantic comedies. The plot is derivative and formulaic; the characterisation is two-dimensional; the concept asks us to suspend our disbelief to the point of absurdity. 

Isla Fisher plays Rebecca Bloomwood - a klutzy girl who funds her designer wardrobe with her credit cards and dreams of writing for a Vogue-like magazine. Chased by a debt-collector, she creates a double-life as - oh the delicious irony! - a personal finance columnist. So successful are her jargon-free columns that she lands a TV spot and the love of her charmingly rich, but hard-working boss, played by Hugh Dancy. Of course, there are stumbling blocks to happiness - but how happy the addict whose hoard of illicit goods can fund an easy conversion to the straight life?

The treatment of addiction is insultingly superficial - as is everything else about this tepid film. Worse still, it can't even boast the guilty pleasure of seeing the wardrobes of SEX AND THE CITY or THE DEVIL WEARS PRADA. Rebecca may spend like Anna Wintour but she dresses appallingly. The humour is strained - zero verbal wit offset by the odd pratfall and wilfully embarassing dance scene. Where is the genuine wit and energy of LEGALLY BLONDE or, indeed, director P J Hogan's previous hit, MY BEST FRIEND'S WEDDING?

CONFESSIONS OF A SHOPAHOLIC is on release in Russia, Thailand, Estonia, Kazakhstan, Mexico, the US, the UAE, Croatia, Turkey and the UK. It opens next week in Hong Kong, Iceland and Italy. It opens on March 6th in Greece and Finland and on March 12th in Argentina, Australia, Germany and the Netherlands. It opens on March 18th in Belgium and Spain and on March 26th in the Czech Republic, Singapore, South Korea and Norway. It opens on April 10th in April, on May 20th in France and on May 20th in Japan.

IRON MAN was okay, but it could've been so much more

Tony Stark is a super-rich, super-clever, super-funny, super-handsome forty-something who just happens to enjoy selling the US Army cool weapons. After seeing those weapons turned on himself in Afghanistan (our enemy du jour), Stark decides to repudiate the arms trade and make the world a better place by......er....creating a weapon-laden flying suit and blowing up terrorists and stockpiles of his old weapons. Stark's epiphany is manifested in his personal life too. Instead of being a sleazy womaniser, he's going to mack onto his secretary, Pepper Potts, who is ludicrously shy and goofy given that she's a thirty-something.

All this makes IRON MAN's politics a better disguised version of the violent, radical utopianism at the heart of NEVER BACK DOWN. The message seems to be that arms dealers are evil when they sell weapons to terrorists who want to reshape the world according to their personal vision. BUT IRON MAN is GOOD when he acts according to his vision of justice - when he feels "in his heart" that blowing shit up and leaving bad guys to vigilante justice is good. Frankly, I've had enough of people blowing shit up because of "what's in their heart" rather than what's in the intelligence transcripts.

Am I taking this all too seriously? Well, I'd argue that this movie asks the audience for serious consideration. After all, it follows the graphic novels in ret-conning Tony Stark's story for the post 9-11 era. It positively winces as it sits on the fence of touchy-feely liberalism and patriotism that verges on jingoism. To that extent, this film is a perfect expression of the current American political divide.

So much for the flimsy politics, how about the actual entertainment? Jon Favreau has created a common or garden superhero summer blockbuster. The CGI special effects are suitably big and noisy. There's lots of product placement for fast cars and mobile phones. Robert Downey Junior is 100% fun to watch as Tony Stark and I wasn't bored.

On the other hand, I'm not particularly excited about the inevitable sequel. First off, Favreau shows none of psychological insight of Christopher Nolan in BATMAN BEGINS. There's nothing in his direction or script choices that make me think he's going to handle Tony Stark's descent into alcoholism sensitively. Second, I hate the way the script-writers short-changed pretty much every character bar Stark. Where's the flirting between Potts and Happy Hogan? And where was the substance to Stark's enemy, Obadiah Stone? Poor old Jeff Bridges was left to chew up the scenery. There was none of the conflicted psychology or back story we got in the comics. His motivations are thin - simply that "greed is good". Well, frankly, a super-hero needs a worthy opponent. Similarly, Terrence Howard is given absolutely nothing to do as Stark's best friend Colonel Jim Rhodes and there's no inkling that he'll become a character who'll question the Iron Man's vigilante actions and eventually don the suit.....

Basically, I'm annoyed. I love IRON MAN. This was one of the films I was most looking forward to this summer. Favreau's movie isn't a disaster. It's fun as far as it goes. But it could've been so much more.

IRON MAN is on release in Australia, the Netherlands, Germany, Italy, the UK, Argentina, Belgium, Brazil, China, Denmark, France, Hong Kong, Hungary, Iceland, Malaysia, Indonesia, Mexico, Norway, Panama, the Philippines, Poland, Singapore, South Korea, Spain, Taiwan, Thailand, Ukraine, Venezuela, Australia, Estonia, Finland, Germany, Greece, Israel, Italy, Kuwait, Portugal, Russia, Slovakia, South Africa, Sweden, the UAE, Canada, India, Pakistan and Turkey. It goes on release in Japan on September 20th.