Showing posts with label nathan halpern. Show all posts
Showing posts with label nathan halpern. Show all posts

Tuesday, October 01, 2024

WILL & HARPER*****


Director Josh Greenbaum (STRAYS) has crafted a deeply humane, insightful and beautiful documentary about courage and ally-ship in WILL & HARPER. It stars Hollywood comedian Will Ferrell going on a road trip with his friend of many decades, newly out as a Trans Woman, Harper Steele.  The beauty of this film is that it allows us to ask all those uncomfortable awkward questions we don't know how to ask: how bad did it get for you before you were out? Will our friendship change? How do you feel about surgery? How do you feel about your body? There is so much evident love between the two friends that these questions can be broached with sensitivity and love.

We also see the two Americas, but have our prejudices challenged too.  We start at  dinner in liberal New York with many of Harper's old SNL colleagues showing love and support. As we cross over into red states we are surprised to find a warm greeting at a car rally. Less surprised to see the mood at a steak eating contest turn genuinely menacing. It's interesting to see how Ferrell tries to throw attention away from Harper and onto himself, but how that buffoonery can backfire. 

The result is a film that is by turns funny and touching and depressing and scary, which is maybe how trans people experience life. It left me with deep admiration for Harper in sharing her experience in this way, and for Will Ferrell to commit to a project that will undoubtedly help educate and hopefully bring some support to the trans community. Highly recommended.

WILL & HARPER is rated R and has a running time of 114 minutes. It played Sundance and Telluride 2024 and is on Netflix.

Sunday, October 23, 2016

THE LAST DANCE aka STICKY NOTES

Amanda Sharp's debut feature is a quiet but powerful relationship drama between an emotionally damaged aspiring dancer (Rose Leslie) and her rogueish dying father (Ray Liotta).  Liotta is superb as the father - a jazz fiend, good-time guy with scant regard for actual conventional parenting.  He manages to make an unsympathetic character nuanced and if not entirely understandable then at least authentic.  Rose Leslie is less impressive in a role that is somewhat cliched - the damaged girl with crazy hair and too much jewelry who has weird sex and scorns the nice guy (Justin Bartha) who actually wants to be her girlfriend.  I'm also not sure the film really needed the third act twist.  More positively, I really liked the cinematography and score, and will be keen to see what Amanda Sharp does next.

THE LAST DANCE aka STICKY NOTES has a running time of 90 minutes and is available on streaming services.