Showing posts with label sameera reddy. Show all posts
Showing posts with label sameera reddy. Show all posts

Wednesday, March 26, 2008

RACE - the superficial

RACE is a fantastically superficial, depressing and boring Bollywood action thriller. The film is characterised by hyper-glossy women; self-conscious slo-mo action shots; an ear-threateningly loud score; and a penchant to shoot all the stars as if they were in rap videos.

The brothers Burmwalla are best loved for their hit movie CHORI CHORI CHUPKE CHUPKE but have significantly amped up the stunts and the sex scenes since then. In this film they concoct a ludicrous tale about two feuding brothers who are both the subject of $100m life insurance policies. The brothers and their accomplicies scheme and plot to kill, defraud, bribe and triumph. They are aided by two hot chicks, and held up by a comedy double-act of coppers. The plot has so many implausible plot twists that the audience is long past caring well before the end. Still, giving credit where it's due, unlike some convoluted thrillers, the Burmwalla brothers do manage to tie up every loose end.

As we go from plot twist to plot twist we're kept busy by fast-paced, western-influenced dance numbers; some action scenes and a bit of light relief. The dance numbers are universally poor, both in terms of the songs and the choreography. Fans of Bipasha Basu will find no hit song to match "Beedi" here. And Katrina Kaif as the second hot chick is, as always, wooden and lacking in true dance ability. The action scenes are ambitious by Bollywood standards but car chases have been done better in movies like DHOOM. And overall, KRRISH had a more high-quality tech-package than RACE. Which brings us to the light relief. Johnny Lever - veteran comic actor of Indian cinema - is outstanding in his five-minute cameo. And Anil Kapoor is decent as the Columbo style cop. I even liked Sameera Reddy as his idiot side-kick.

Still, I can't help but thinking that RACE is a step back for Hindi cinema. All style but no substance and the abasement of actors better known for art-house work. In particular it's a shame to see Saif Ali Khan, who was so outstanding as the Iago character in the brilliant OMKARA, posing like a rapper. It's a shame to see Bipasha Basu, who also made a breakthrough as a serious actress in CORPORATE, take a step back to steamy love-scenes and being just a "body".

RACE is on release in India and the UAE.

Saturday, October 20, 2007

London Film Fest Day 4 - THE VOYEURS/AMI, YASIN AR AMAR MADHUBALA

THE VOYEURS is an unsatisfactory film. To be sure, it has some amiable characters, some good spoofs of Indian media culture and lecherous film directors, and a fascination with the hidden lives of ordinary people. But this is set against an over-long run-time, a lack of narrative pace, symbolism that seems to serve no function, and a plot twist that jars with the gentle, whimsical tone of the majority of the film. The film is set in Calcutta and shows two naive computer geeks installing a hidden camera in the room of the beautiful dancer next door. Despite the sinister nature of this action, it's actually rather innocent. They never watch her undress: they simply want to gaze at her image in the manner of gazing at a movie star poster. She is disenchanted by the cruel nature of the Calcutta film industry. They are done for being peeping toms with cruel consequences. In between we have wonderful vignettes exposing the reality of ordinary life in a poor Indian city - a refreshing change from laminated Bollywood super-hits. We also have some beautiful photography - lots of slow 360 sweeps of interiors and crane shots of the alleys of Calcutta. However, while THE VOYEURS adopts a ponderous pace, it has none of the drive or depth of a Madhur Bhandarkar film, or a meticulous drama like THE NAMESAKE. A disappointment.

THE VOYEURS played Toronto and London 2007.