PARIS 13th DISTRICT shows us how to portray relationships that are complicated and honest and evolve. I loved how Audiard - in contrast to Eva Husson in MOTHERING SUNDAY - used nudity and explicit sex scenes to propel character and evolve story. Nothing here is gratuitous. Everything is honest. I felt as though I really knew all three lead characters - their flaws and their charms - and was utterly involved in how their stories would turn out. Meaningful revelations are dropped in with a very light touch - a half-heard phone-call or a camera glancing at pictures on a wall. I also absolutely loved Paul Guilhaume's stunning black and white photography that renders modernist and brutalist architecture as a stunningly vital and beautiful backdrop that made me hanker for city-life again after my Pandemic-driven suburban isolation. And Rone's electronic, award-winning sound-track is spectacular.
Overall, this is a film that pulses with vibrant real life. It makes you hanker for cities and people and serendipitous meetings that can be life changing. This is film-making at its most glorious and vital.
PARIS 13TH DISTRICT aka LES OLYMPIADES has a running time of 105 minutes. It played Cannes where it won Best Soundtrack. It will be released in France on November 3rd but does not yet have a commercial release date for the USA or UK.